PREFIX: 4
FORMAT: 45
COUNTRY: UNITED STATES
YEAR RANGE: 1967-1969
CAT# | ARTIST | TITLE | YEAR | |
---|---|---|---|---|
4-44000 | A | ? | ||
4-44000 | B | ? | ||
4-44001 | A | ARLENE HARDEN | MONEY, MONEY, MONEY | 1967 |
4-44001 | B | ARLENE HARDEN | YOU AND ONLY YOU | 1967 |
4-44002 | A | BILLY LARGE | MY $3.98 PLASTIC MAIL ORDER GUITAR | 1967 |
4-44002 | B | BILLY LARGE | A NEW STREET TO WALK ON | 1967 |
4-44003 | A | BILLY JOE ROYAL | EVERYTHING TURNED BLUE | 1967 |
4-44003 | B | BILLY JOE ROYAL | THE WISDOM OF A FOOL | 1967 |
4-44004 | A | DANA VALERY | YOU DON'T KNOW WHERE YOUR INTEREST LIES | 1967 |
4-44004 | B | DANA VALERY | HAVING YOU AROUND | 1967 |
4-44005 | A | JOHN DAVIDSON | DAYDREAM | 1967 |
4-44005 | B | JOHN DAVIDSON | I'LL ALWAYS REMEMBER | 1967 |
4-44006 | A | FOUR COINS | IF YOU LOVE ME (REALLY LOVE ME) | 1967 |
4-44006 | B | FOUR COINS | LEARNING TO LIVE WITHOUT YOUR LOVE | 1967 |
4-44007 | A | LENNY WELCH | SINCE I FELL FOR YOU | 1967 |
4-44007 | B | LENNY WELCH | A TASTE OF HONEY | 1967 |
4-44008 | A | SKITCH HENDERSON | ALL | 1967 |
4-44008 | B | SKITCH HENDERSON | AMONG MY SOUVENIRS | 1967 |
4-44009 | A | BOB MORRISON | GO AWAY | 1967 |
4-44009 | B | BOB MORRISON | THE WORK SONG | 1967 |
4-44010 | A | GENE MCDANIELS | SWEET LOVER NO MORE | 1967 |
4-44010 | B | GENE MCDANIELS | THE TOUCH OF YOUR LIPS | 1967 |
4-44011 | A | JOHNNY CASH AND JUNE CARTER | JACKSON | 1967 |
4-44011 | B | JOHNNY CASH AND JUNE CARTER | PACK UP YOUR SORROWS | 1967 |
4-44012 | A | BRENDAN HANLON | ANGELIQUE | 1967 |
4-44012 | B | BRENDAN HANLON | ALL THE KINGS HORSES | 1967 |
4-44013 | A | THE RUBBER BAND | IN AND OUT OF MY LIFE | 1967 |
4-44013 | B | THE RUBBER BAND | BRING YOUR LOVE | 1967 |
4-44014 | A | THE LOS VEGAS | IT HAPPENED WHILE DANCING | 1967 |
4-44014 | B | THE LOS VEGAS | AS TIME GOES BY | 1967 |
4-44015 | A | DONNA MARIE | THROUGH THE EYE OF A NEEDLE | 1967 |
4-44015 | B | DONNA MARIE | WHOLE WIDE WORLD IS WATCHING US | 1967 |
4-44016 | A | DIAHANN CARROLL | HIDDEN MEANING | 1967 |
4-44016 | B | DIAHANN CARROLL | GOOD-BYE YOUNG DREAMS | 1967 |
4-44017 | A | THE NEW LIME | THAT GIRL | 1967 |
4-44017 | B | THE NEW LIME | SHE KISSED ME (WITH HER EYES) | 1967 |
4-44018 | A | PAUL REVERE AND THE RAIDERS | UPS AND DOWNS | 1967 |
4-44018 | B | PAUL REVERE AND THE RAIDERS | LESLIE | 1967 |
4-44019 | A | ROBERT GOULET | WORLD OF CLOWNS | 1967 |
4-44019 | B | ROBERT GOULET | CIAO COMPARE | 1967 |
4-44020 | A | ? | ||
4-44020 | B | ? | ||
4-44021 | A | SHIRLEY ELLIS | SOUL TIME | 1967 |
4-44021 | B | SHIRLEY ELLIS | WAITIN' | 1967 |
4-44022 | A | STEVE LAWRENCE | DID I EVER REALLY LIVE | 1967 |
4-44022 | B | STEVE LAWRENCE | THE GIRL IN THE WHITE GLOVE | 1967 |
4-44023 | A | LEFTY FRIZZELL | YOU GOTTA BE PUTTING ME ON | 1967 |
4-44023 | B | LEFTY FRIZZELL | SONG FROM A LONELY HEART | 1967 |
4-44024 | A | FARON TAYLOR | WHAT'S YOUR STORY MORNING GLORY? | 1967 |
4-44024 | B | FARON TAYLOR | THE MAN I LOVE | 1967 |
4-44025 | A | “LITTLE” JIMMY DICKENS | COUNTRY MUSIC LOVER | 1967 |
4-44025 | B | “LITTLE” JIMMY DICKENS | YOU'VE DESTROYED ME | 1967 |
4-44026 | A | ? | ||
4-44026 | B | ? | ||
4-44027 | A | JERRY VALE | HAVE YOU SEEN THE ONE I LOVE GO BY | 1967 |
4-44027 | B | JERRY VALE | SIGNS | 1967 |
4-44028 | A | KEITH ALLISON | LOUISE | 1967 |
4-44028 | B | KEITH ALLISON | FREEBORN MAN | 1967 |
4-44029 | A | JULIE ANDREWS | WAITING AT THE CHURCH | 1967 |
4-44029 | B | JULIE ANDREWS | DON'T GO IN THE LION'S CAGE TONIGHT | 1967 |
4-44030 | A | LES & LARRY ELGART | BERMUDA CONCERTO | 1967 |
4-44030 | B | LES & LARRY ELGART | GIRLS TALK | 1967 |
4-44031 | A | TIM ROSE | MORNING DEW | 1967 |
4-44031 | B | TIM ROSE | YOU'RE SLIPPING AWAY FROM ME | 1967 |
4-44032 | A | THE INMATES | LOCAL TOWN DRUNK | 1967 |
4-44032 | B | THE INMATES | YOU TELL LIES | 1967 |
4-44033 | A | PAULA WAYNE | LONELY PEOPLE DO FOOLISH THINGS | 1967 |
4-44033 | B | PAULA WAYNE | WILL I NEVER LEARN | 1967 |
4-44034 | A | CARL SMITH | MIGHTY DAY | 1967 |
4-44034 | B | CARL SMITH | I SHOULD GET AWAY A WHILE (FROM YOU) | 1967 |
4-44035 | A | CLAUDE KING | THE WATCHMAN | 1967 |
4-44035 | B | CLAUDE KING | THAT'S THE WAY THE WIND BLOWS | 1967 |
4-44036 | A | JAN AND DEAN | YELLOW BALLOON | 1967 |
4-44036 | B | JAN AND DEAN | TASTE OF RAIN | 1967 |
4-44037 | A | THE CRYAN' SHAMES | MR. UNRELIABLE | 1967 |
4-44037 | B | THE CRYAN' SHAMES | GEORGIA | 1967 |
4-44038 | A | LEN & GLEN | TRAGEDY | 1967 |
4-44038 | B | LEN & GLEN | KISS AND RUN | 1967 |
4-44039 | A | NORMAN CHARLES | IN THESE UNCERTAIN TIMES | 1967 |
4-44039 | B | NORMAN CHARLES | GOD BLESS AMERICA | 1967 |
4-44040 | A | FLATT & SCRUGGS | ROUST-A-BOUT | 1967 |
4-44040 | B | FLATT & SCRUGGS | NASHVILLE CATS | 1967 |
4-44041 | A | POZO SECO SINGERS | I BELIEVED IT ALL | 1967 |
4-44041 | B | POZO SECO SINGERS | EXCUSE ME DEAR MARTHA | 1967 |
4-44042 | A | RAY PRICE | DANNY BOY | 1967 |
4-44042 | B | RAY PRICE | I LET MY MIND WANDER | 1967 |
4-44043 | A | CARL BUTLER | LOST | 1967 |
4-44043 | B | CARL BUTLER | WILD GOOSE CHASE | 1967 |
4-44044 | A | THE NEW HAPPINESS | MELLOW YELLOW | 1967 |
4-44044 | B | THE NEW HAPPINESS | GOOD VIBRATIONS | 1967 |
4-44045 | A | JAMIE RYAN | THE WORST OF THE HURT IS OVER | 1967 |
4-44045 | B | JAMIE RYAN | 21 INCHES OF HEAVEN | 1967 |
4-44046 | A | SIMON AND GARFUNKEL | AT THE ZOO | 1967 |
4-44046 | B | SIMON AND GARFUNKEL | THE 59TH STREET BRIDGE SONG (FEELIN' GROOVY) | 1967 |
4-44047 | A | ? | ||
4-44047 | B | ? | ||
4-44048 | A | JOE HARNELL | THE SOUND OF LOVE | 1967 |
4-44048 | B | JOE HARNELL | TRUDY | 1967 |
4-44049 | A | ? | ||
4-44049 | B | ? | ||
4-44050 | A | ROBERTA PECK | SI, SI, SENOR | 1967 |
4-44050 | B | ROBERTA PECK | THIS YEAR | 1967 |
4-44051 | A | TAJ MAHAL | I WISH I COULD SHIMMY LIKE MY SISTER KATE | 1967 |
4-44051 | B | TAJ MAHAL | LET THE GOOD TIMES ROLL | 1967 |
4-44052 | A | HINES, HINES & DAD | WHY MUST I FEEL THIS WAY | 1967 |
4-44052 | B | HINES, HINES & DAD | HAMBONE | 1967 |
4-44053 | A | THE BUCKINGHAMS | DON'T YOU CARE | 1967 |
4-44053 | B | THE BUCKINGHAMS | WHY DON'T YOU LOVE ME | 1967 |
4-44054 | A | THE BYRDS | MY BACK PAGES | 1967 |
4-44054 | B | THE BYRDS | RENAISSANCE FAIR | 1967 |
4-44055 | A | RAY CONNIFF | THE WORLD WILL SMILE AGAIN | 1967 |
4-44055 | B | RAY CONNIFF | “17” | 1967 |
4-44056 | A | FREAK SCENE | A MILLION GRAINS OF SAND | 1967 |
4-44056 | B | FREAK SCENE | BEHIND THE MIND | 1967 |
4-44057 | A | JOHNNY SHEPHERD | DIDDILY DEE | 1967 |
4-44057 | B | JOHNNY SHEPHERD | YOU CAN’T BEAT THEM | 1967 |
4-44058 | A | THE BROTHERS FOUR | AIN'T NO MORE CAN ON THE BRAZOS | 1967 |
4-44058 | B | THE BROTHERS FOUR | SHENANDOAH | 1967 |
4-44059 | A | HARDEN TRIO | SNEAKING CROSS THE BORDER | 1967 |
4-44059 | B | HARDEN TRIO | CHILDHOOD PLACE | 1967 |
4-44060 | A | ? | ||
4-44060 | B | ? | ||
4-44061 | A | THE MAGICIANS | DOUBLE GOOD FEELING | 1967 |
4-44061 | B | THE MAGICIANS | LADY FINGERS | 1967 |
4-44062 | A | LOU CHRISTIE | SHAKE HANDS AND WALK AWAY CRYIN' | 1967 |
4-44062 | B | LOU CHRISTIE | ESCAPE | 1967 |
4-44063 | A | THE PEANUT BUTTER CONSPIRACY | DARK ON YOU NOW | 1967 |
4-44063 | B | THE PEANUT BUTTER CONSPIRACY | THEN CAME LOVE | 1967 |
4-44064 | A | CHARLIE CALELLO SINGERS | WHEN I TELL YOU I LOVE YOU | 1967 |
4-44064 | B | CHARLIE CALELLO SINGERS | FOUNTAINBLEU | 1967 |
4-44065 | A | ANDY WILLIAMS | MUSIC TO WATCH GIRLS BY | 1967 |
4-44065 | B | ANDY WILLIAMS | THE FACE I LOVE | 1967 |
4-44066 | A | ? | ||
4-44066 | B | ? | ||
4-44067 | A | ANITA BRYANT | TOMORROW BELONGS TO ME | 1967 |
4-44067 | B | ANITA BRYANT | STICKS AND STONES | 1967 |
4-44068 | A | SLEEPY LEBEEF | SURE BEATS THE HECK OUTTA' SETTLIN' DOWN | 1967 |
4-44068 | B | SLEEPY LEBEEF | SCHNEIDER | 1967 |
4-44069 | A | BOB DYLAN | LEOPARD-SKIN PILL-BOX HAT | 1967 |
4-44069 | B | BOB DYLAN | MOST LIKELY YOU GO YOUR WAY (AND I'LL GO MINE) | 1967 |
4-44070 | A | THE STATLER BROTHERS | RUTHLESS | 1967 |
4-44070 | B | THE STATLER BROTHERS | DO YOU LOVE ME TONIGHT | 1967 |
4-44071 | A | RAY GODFREY | THE DIFFERENCE IN ME | 1967 |
4-44071 | B | RAY GODFREY | THREE LITTLE WORDS FROM YOU | 1967 |
4-44072 | A | JERRY MOORE | AND LOVE IS EVERYWHERE | 1967 |
4-44072 | B | JERRY MOORE | HIGH HEMLINES | 1967 |
4-44073 | A | RHETTA HUGHES | ONE IN A MILLION | 1967 |
4-44073 | B | RHETTA HUGHES | JUST LOVE ME | 1967 |
4-44074 | A | MARION WORTH | OLD HABITS ARE HARD TO BREAK | 1967 |
4-44074 | B | MARION WORTH | ESPECIALLY YOU | 1967 |
4-44075 | A | BANJO BARONS | DEAR MRS. APPLEBEE | 1967 |
4-44075 | B | BANJO BARONS | THOROUGHLY MODERN MILLIE | 1967 |
4-44076 | A | JOHN MYERS | ALFIE | 1967 |
4-44076 | B | JOHN MYERS | SHENANDOAH | 1967 |
4-44077 | A | JOHN LUCIEN | WHAT A DIFFERENCE LOVE MAKES | 1967 |
4-44077 | B | JOHN LUCIEN | L.A. (LOS ANGELES) | 1967 |
4-44078 | A | THE DUPREES | I UNDERSTAND | 1967 |
4-44078 | B | THE DUPREES | BE MY LOVE | 1967 |
4-44079 | A | TURLEY RICHARDS | I'M A LONELY MAN | 1967 |
4-44079 | B | TURLEY RICHARDS | I CAN'T GET BACK HOME TO MY BABY | 1967 |
4-44080 | A | THE CHAMBERS BROTHERS | I CAN'T STAND IT | 1967 |
4-44080 | B | THE CHAMBERS BROTHERS | PLEASE DON'T LEAVE ME | 1967 |
4-44081 | A | ? | ||
4-44081 | B | ? | ||
4-44082 | A | JOHN KRAMER | PACK YOUR VALISE | 1967 |
4-44082 | B | JOHN KRAMER | KOUTABUX (JANEY'S BLUES) | 1967 |
4-44083 | A | SID BASS AND HIS ORCHESTRA | HERE COMES THE YANKEES | 1967 |
4-44083 | B | SID BASS AND HIS ORCHESTRA | HERE COMES THE YANKEES [INSTRUMENTAL] | 1967 |
4-44084 | A | STEVE LAWRENCE | SWEET MARIA | 1967 |
4-44084 | B | STEVE LAWRENCE | THE IMPOSSIBLE DREAM (THE QUEST) | 1967 |
4-44085 | A | THE STING-RAYS OF NEWBURGH | IF I NEEDED SOMEONE | 1967 |
4-44085 | B | THE STING-RAYS OF NEWBURGH | FOOL | 1967 |
4-44086 | A | PERCY FAITH | A MAN AND A WOMAN | 1967 |
4-44086 | B | PERCY FAITH | THIS HOTEL | 1967 |
4-44087 | A | JERRY VALE | SO NEAR... YET SO FAR | 1967 |
4-44087 | B | JERRY VALE | TIME ALONE WILL TELL (NON PENSARE A ME) | 1967 |
4-44088 | A | GENE CLARK | IS YOUS IS MINE | 1967 |
4-44088 | B | GENE CLARK | SO YOU SAY YOU LOST YOUR BABY | 1967 |
4-44089 | A | THE GUILLOTEENS | I LOVE THAT GIRL | 1967 |
4-44089 | B | THE GUILLOTEENS | DEAR MRS. APPLEBEE | 1967 |
4-44090 | A | ? | ||
4-44090 | B | ? | ||
4-44091 | A | BRUTE FORCE | CUDD'LY | 1967 |
4-44091 | B | BRUTE FORCE | IN JIM'S GARAGE | 1967 |
4-44092 | A | THE CARNABY STREET SET | I WAS KAISER BILL'S BATMAN | 1967 |
4-44092 | B | THE CARNABY STREET SET | TENDER SAVAGE | 1967 |
4-44093 | A | THE PLAYBOYS OF EDINBURG | SANFORD RINGLETON V OF ABERNATHY | 1967 |
4-44093 | B | THE PLAYBOYS OF EDINBURG | MICKEY'S MONKEY | 1967 |
4-44094 | A | PAUL REVERE AND THE RAIDERS | HIM OR ME – WHAT'S IT GONNA BE? | 1967 |
4-44094 | B | PAUL REVERE AND THE RAIDERS | LEGEND OF PAUL REVERE | 1967 |
4-44095 | A | JOEL GREY | WILLKOMMEN | 1967 |
4-44095 | B | JOEL GREY | FANFARE | 1967 |
4-44096 | A | KING CURTIS | BAD HABITS | 1967 |
4-44096 | B | KING CURTIS | SO NICE WHEN IT LASTED | 1967 |
4-44097 | A | CAROLYN HESTER | REASON TO BELIEVE | 1967 |
4-44097 | B | CAROLYN HESTER | HELLO YOU TOMORROWS | 1967 |
4-44098 | A | THE BLUE BEATS | BORN IN CHICAGO | 1967 |
4-44098 | B | THE BLUE BEATS | I CAN'T GET CLOSE (TO HER AT ALL) | 1967 |
4-44099 | A | GERRIE LYNN | I'LL PICK UP THE PIECES | 1967 |
4-44099 | B | GERRIE LYNN | DOWN HOME COUNTRY GIRL | 1967 |
4-44100 | A | ROBERT GOULET | ONE LIFE, ONE DREAM | 1967 |
4-44100 | B | ROBERT GOULET | IF THERE'S A WAY | 1967 |
4-44101 | A | ? | ||
4-44101 | B | ? | ||
4-44102 | A | ? | ||
4-44102 | B | ? | ||
4-44103 | A | BILLY JOE ROYAL | THE GREATEST LOVE | 1967 |
4-44103 | B | BILLY JOE ROYAL | THESE ARE NOT MY PEOPLE | 1967 |
4-44104 | A | TOMMY HUNTER | IN A WAY | 1967 |
4-44104 | B | TOMMY HUNTER | CUP OF DISGRACE | 1967 |
4-44105 | A | HAROLD WEAKLEY | PAINT A PICTURE OF MY WORLD | 1967 |
4-44105 | B | HAROLD WEAKLEY | ? | 1967 |
4-44106 | A | BERNADETTE PETERS | YOU'RE TALKING TO ME FOR GRANTED | 1967 |
4-44106 | B | BERNADETTE PETERS | WILL YOU CARE WHAT'S HAP'NIN' TO ME, BABY? | 1967 |
4-44107 | A | FABULOUS FAKES | MICKEY'S MONKEY | 1967 |
4-44107 | B | FABULOUS FAKES | NO EXCESS BAGGAGE | 1967 |
4-44108 | A | THE CYRKLE | WE HAD A GOOD THING GOIN' | 1967 |
4-44108 | B | THE CYRKLE | TWO ROOMS | 1967 |
4-44109 | A | MONGO SANTAMARIA | I WANNA KNOW | 1967 |
4-44109 | B | MONGO SANTAMARIA | BOSSA-NEGRA | 1967 |
4-44110 | A | BOBBE NORRIS | ANYTIME YOU WANT ME | 1967 |
4-44110 | B | BOBBE NORRIS | SOON I'LL WED MY LOVE | 1967 |
4-44111 | A | ? | ||
4-44111 | B | ? | ||
4-44112 | A | ROBERT MERSEY | FAR OUT | 1967 |
4-44112 | B | ROBERT MERSEY | FAR OUT [INSTRUMENTAL] | 1967 |
4-44113 | A | TOMMY COLLINS | ROLL TRUCK ROLL | 1967 |
4-44113 | B | TOMMY COLLINS | WINE TAKE ME AWAY | 1967 |
4-44114 | A | JIM NABORS | IT HURTS TO SAY GOODBYE | 1967 |
4-44114 | B | JIM NABORS | YOU KNOW YOU DON'T WANT ME | 1967 |
4-44115 | A | PATTI PAGE | WALKIN', JUST WALKIN' | 1967 |
4-44115 | B | PATTI PAGE | THE SAME OLE YOU | 1967 |
4-44116 | A | KAREN BETH | ON MY MIND | 1967 |
4-44116 | B | KAREN BETH | FAREWELL AND BE WELL | 1967 |
4-44117 | A | SUSAN CHRISTIE | TONIGHT YOU BELONG TO ME | 1967 |
4-44117 | B | SUSAN CHRISTIE | TOY BALLOON | 1967 |
4-44118 | A | ? | ||
4-44118 | B | ? | ||
4-44119 | A | SUSAN REWIS | DON'T THINK TWICE, IT'S ALL RIGHT | 1967 |
4-44119 | B | SUSAN REWIS | ANYBODY'S BOY | 1967 |
4-44120 | A | LENNY GAINES | THE BANANA MAN (THE CONEY ISLAND PARADE, PART I) [ALTERNATE] | 1967 |
4-44120 | B | LENNY GAINES | THE BANANA MAN (THE CONEY ISLAND PARADE, PART I) | 1967 |
4-44121 | A | STONEWALL JACKSON | PROMISES AND HEARTS | 1967 |
4-44121 | B | STONEWALL JACKSON | WHILE THE DAISES GROW FREE | 1967 |
4-44122 | A | KIRK HANSARD | BAD DAD FROM BAGDAD | 1967 |
4-44122 | B | KIRK HANSARD | THAT'S NOT WHAT HE'S GOT ON HIS MIND | 1967 |
4-44123 | A | STEVE LAWRENCE AND EYDIE GORME | MAME | 1967 |
4-44123 | B | STEVE LAWRENCE AND EYDIE GORME | CABARET | 1967 |
4-44124 | A | WOODY HERMAN AND THE HERD | THE DUCK | 1967 |
4-44124 | B | WOODY HERMAN AND THE HERD | HALLELUJAH, BABY! | 1967 |
4-44125 | A | ? | ||
4-44125 | B | ? | ||
4-44126 | A | GARY KNIGHT | TELL ME SUNSHINE | 1967 |
4-44126 | B | GARY KNIGHT | FUNSEEKER | 1967 |
4-44127 | A | JAMES ROYAL | CALL MY NAME | 1967 |
4-44127 | B | JAMES ROYAL | WHEN IT COMES TO MY BABY | 1967 |
4-44128 | A | MARTY ROBBINS | TONIGHT CARMEN | 1967 |
4-44128 | B | MARTY ROBBINS | WAITING IN RENO | 1967 |
4-44129 | A | HORATIO AND THE HORN BLOWERS | WATCH MY DUST | 1967 |
4-44129 | B | HORATIO AND THE HORN BLOWERS | THE HAPPENING | 1967 |
4-44130 | A | HERSCHEL BERNARDI | FIDDLER ON THE ROOF | 1967 |
4-44130 | B | HERSCHEL BERNARDI | SUNRISE, SUNSET | 1967 |
4-44131 | A | CHAD AND JEREMY | REST IN PEACE | 1967 |
4-44131 | B | CHAD AND JEREMY | FAMILY WAY | 1967 |
4-44132 | A | GENE HULL | PICO BEEK A BOO (PART I) | 1967 |
4-44132 | B | GENE HULL | PICO BEEK A BOO (PART II) | 1967 |
4-44133 | A | ARLENE HARDEN | FAIR WEATHER LOVE | 1967 |
4-44133 | B | ARLENE HARDEN | DON'T ASK FOR TOMORROW | 1967 |
4-44134 | A | DAVID ROGERS | FORBIDDEN FRUIT | 1967 |
4-44134 | B | DAVID ROGERS | YOU CAN'T SELL ME THAT SONG AND DANCE | 1967 |
4-44135 | A | HARRY SIMEONE | ILLYA DARLING | 1967 |
4-44135 | B | HARRY SIMEONE | THE DAYS OF MY YOUTH | 1967 |
4-44136 | A | THE CARTER FAMILY | ONCE AROUND THE BRIAR PATCH | 1967 |
4-44136 | B | THE CARTER FAMILY | BYE, BYE | 1967 |
4-44137 | A | SHIRLEY ELLIS | SUGAR, LET'S SHING-A-LING | 1967 |
4-44137 | B | SHIRLEY ELLIS | HOW LONG IS LONELY | 1967 |
4-44138 | A | DAVID LEE | TEMPTATION IS CALLING MY NAME | 1967 |
4-44138 | B | DAVID LEE | (I FEEL A) COLD WAVE COMING ON | 1967 |
4-44139 | A | THE BEAVER PATROL | E.S.P. | 1967 |
4-44139 | B | THE BEAVER PATROL | JUST LIKE A LADY | 1967 |
4-44140 | A | LINDA GAYLE | BABY, DON'T GO | 1967 |
4-44140 | B | LINDA GAYLE | WOULD IT MAKE ANY DIFFERENCE TO YOU | 1967 |
4-44141 | A | THE TELSTARS | KEEP ON RUNNING | 1967 |
4-44141 | B | THE TELSTARS | HOLD TIGHT | 1967 |
4-44142 | A | DEBBIE LORI KAYE | (I'D BE) A LEGEND IN MY TIME | 1967 |
4-44142 | B | DEBBIE LORI KAYE | SWEET GEORGIA BROWN | 1967 |
4-44143 | A | THE STRIDERS | WHEN YOU WALK IN THE ROOM | 1967 |
4-44143 | B | THE STRIDERS | DO IT NOW | 1967 |
4-44144 | A | ? | ||
4-44144 | B | ? | ||
4-44145 | A | THE CREATURES | HURTIN' ALL OVER | 1967 |
4-44145 | B | THE CREATURES | LOVE IS A FUNNY LITTLE GAME | 1967 |
4-44146 | A | DARRELL GLENN | BUT SHE'S UNTRUE | 1967 |
4-44146 | B | DARRELL GLENN | THE MEANING OF BLUE | 1967 |
4-44147 | A | ANDRE KOSTELANETZ AND ORCHESTRA | THE IMPOSSIBLE DREAM | 1967 |
4-44147 | B | ANDRE KOSTELANETZ AND ORCHESTRA | BORN FREE | 1967 |
4-44148 | A | JOE HARNELL | UN POCO RIO (LITTLE RIO) | 1967 |
4-44148 | B | JOE HARNELL | SUNRISE SERENADE | 1967 |
4-44149 | A | TUESDAY'S CHILDREN | WHAT IS LOVE | 1967 |
4-44149 | B | TUESDAY'S CHILDREN | I CLOSE MY EYES | 1967 |
4-44150 | A | DORIS DAY | CAPRICE | 1967 |
4-44150 | B | DORIS DAY | SORRY | 1967 |
4-44151 | A | O.C. SMITH | DOUBLE LIFE | 1967 |
4-44151 | B | O.C. SMITH | THE SEASON | 1967 |
4-44152 | A | THE GENTLE SOUL | OUR NATIONAL ANTHEM | 1967 |
4-44152 | B | THE GENTLE SOUL | SONG FOR THREE | 1967 |
4-44153 | A | DONNA LEE | TOO MUCH LONELINESS | 1967 |
4-44153 | B | DONNA LEE | I'LL BE SEEING YOU | 1967 |
4-44154 | A | TONY BENNETT | DAYS OF LOVE | 1967 |
4-44154 | B | TONY BENNETT | KEEP SMILING AT TROUBLE | 1967 |
4-44155 | A | PAT LUNDY | NOTHING BUT TEARS | 1967 |
4-44155 | B | PAT LUNDY | ANY DAY NOW | 1967 |
4-44156 | A | JOHNNY HORTON | ALL FOR THE LOVE OF A GIRL | 1967 |
4-44156 | B | JOHNNY HORTON | THE BATTLE OF NEW ORLEANS | 1967 |
4-44157 | A | THE BYRDS | HAVE YOU SEEN HER FACE | 1967 |
4-44157 | B | THE BYRDS | DON'T MAKE WAVES | 1967 |
4-44158 | A | JOHNNY CASH AND JUNE CARTER | LONG-LEGGED GUITAR PICKIN' MAN | 1967 |
4-44158 | B | JOHNNY CASH AND JUNE CARTER | YOU'LL BE ALL RIGHT | 1967 |
4-44159 | A | THE MARSHMELLOWS | JUST LIKE YOU AND I | 1967 |
4-44159 | B | THE MARSHMELLOWS | KNOT TIER | 1967 |
4-44160 | A | LEW DEWITT | BROWN EYES | 1967 |
4-44160 | B | LEW DEWITT | SHE WENT A LITTLE BIT FARTHER | 1967 |
4-44161 | A | GEORGE CARROW | ANGEL BABY (DON'T YOU EVER LEAVE ME) | 1967 |
4-44161 | B | GEORGE CARROW | BRING BACK MY HEART | 1967 |
4-44162 | A | “LITTLE” JIMMY DICKENS | HE KNOCKED ME RIGHT OUT OF BOX | 1967 |
4-44162 | B | “LITTLE” JIMMY DICKENS | JENNY NEEDS A G STRING (FOR HER OLD GUITAR) | 1967 |
4-44163 | A | SAGITTARIUS | MY WORLD FELL DOWN | 1967 |
4-44163 | B | SAGITTARIUS | LIBRA | 1967 |
4-44164 | A | SKITCH HENDERSON | A MAN AND A WOMAN | 1967 |
4-44164 | B | SKITCH HENDERSON | THE EYES OF LOVE (CAROL'S THEME) | 1967 |
4-44165 | A | MICHELLE LEE | I BELIEVE IN YOU | 1967 |
4-44165 | B | MICHELLE LEE | BEING GOOD ISN'T GOOD ENOUGH | 1967 |
4-44166 | A | PERCY FAITH | YELLOW DAYS | 1967 |
4-44166 | B | PERCY FAITH | KAHULA | 1967 |
4-44167 | A | JOHN BARRY | YOU ONLY LIVE TWICE | 1967 |
4-44167 | B | JOHN BARRY | THE GIRL WITH THE SUN IN HER HAIR | 1967 |
4-44168 | A | POZO SECO SINGERS | MORNING DEW | 1967 |
4-44168 | B | POZO SECO SINGERS | IT'S ALL RIGHT | 1967 |
4-44169 | A | RYAN JAMEY | GROWIN' PAINS | 1967 |
4-44169 | B | RYAN JAMEY | YOU'RE LOOKIN' FOR A PLAYTHING | 1967 |
4-44170 | A | MOBY GRAPE | FALL ON YOU | 1967 |
4-44170 | B | MOBY GRAPE | CHANGES | 1967 |
4-44171 | A | MOBY GRAPE | SITTING BY THE WINDOW | 1967 |
4-44171 | B | MOBY GRAPE | INDIFFERENCE | 1967 |
4-44172 | A | MOBY GRAPE | 805 | 1967 |
4-44172 | B | MOBY GRAPE | MISTER BLUES | 1967 |
4-44173 | A | MOBY GRAPE | OMAHA | 1967 |
4-44173 | B | MOBY GRAPE | SOMEDAY | 1967 |
4-44174 | A | MOBY GRAPE | HEY GRANDMA | 1967 |
4-44174 | B | MOBY GRAPE | COME IN THE MORNING | 1967 |
4-44175 | A | THE BROTHERS FOUR | FIRST TIME EVER I SAW YOUR FACE | 1967 |
4-44175 | B | THE BROTHERS FOUR | WALKIN' BACKWARDS DOWN THE ROAD | 1967 |
4-44176 | A | NEW CHRISTY MINSTRELS | NIGHT & DAY | 1967 |
4-44176 | B | NEW CHRISTY MINSTRELS | I'LL COAT YOUR MIND WITH HONEY | 1967 |
4-44177 | A | LOU CHRISTIE | SELF EXPRESSION (THE KIDS ON THE STREET WILL NEVER GIVE IN) | 1967 |
4-44177 | B | LOU CHRISTIE | BACK TO THE DAYS OF THE ROMANS | 1967 |
4-44178 | A | RUFF DIAMOND | MARY, MARY QUITE CONTRARY | 1967 |
4-44178 | B | RUFF DIAMOND | NOTHING MOVES ME LIKE YOU DO | 1967 |
4-44179 | A | BILLY LARGE | LITTLE THINGS | 1967 |
4-44179 | B | BILLY LARGE | (WHEN YOU'RE) SEVENTEEN | 1967 |
4-44180 | A | MEL TORME | I REMEMBER SUZANNE | 1967 |
4-44180 | B | MEL TORME | LOVER'S ROULETTE | 1967 |
4-44181 | A | ARETHA FRANKLIN | UNTIL YOU WERE GONE | 1967 |
4-44181 | B | ARETHA FRANKLIN | LEE CROSS | 1967 |
4-44182 | A | THE BUCKINGHAMS | MERCY, MERCY, MERCY | 1967 |
4-44182 | B | THE BUCKINGHAMS | YOU ARE GONE | 1967 |
4-44183 | A | ? | ||
4-44183 | B | ? | ||
4-44184 | A | THE SHOW STOPPERS | IF YOU WANT TO, WHY DON'T YOU | 1967 |
4-44184 | B | THE SHOW STOPPERS | ONCE MORE WITH LOVE | 1967 |
4-44185 | A | JERRY VALE | IN THE BACK OF MY HEART | 1967 |
4-44185 | B | JERRY VALE | I LOVE NEW ENGLAND | 1967 |
4-44186 | A | ROBERT GOULET | THE SINNER | 1967 |
4-44186 | B | ROBERT GOULET | HOW CAN I LEAVE YOU | 1967 |
4-44187 | A | CHRIS WILSON | ALL THE JOY | 1967 |
4-44187 | B | CHRIS WILSON | INSPIRATIONAL ROAD | 1967 |
4-44188 | A | THE JOYS OF LIFE | GOOD TIMES ARE OVER | 1967 |
4-44188 | B | THE JOYS OF LIFE | DESCENT | 1967 |
4-44189 | A | ? | ||
4-44189 | B | ? | ||
4-44190 | A | THE ANSWER | THE GIRL FROM BREADSTICKS | 1967 |
4-44190 | B | THE ANSWER | SWEET, SOUR, BITTER | 1967 |
4-44191 | A | THE CRYAN' SHAMES | IT COULD BE WE'RE IN LOVE | 1967 |
4-44191 | B | THE CRYAN' SHAMES | I WAS LONELY WHEN | 1967 |
4-44192 | A | RAY CONNIFF AND THE SINGERS | MOONLIGHT BRINGS MEMORIES | 1967 |
4-44192 | B | RAY CONNIFF AND THE SINGERS | WONDERFUL SEASON OF SUMMER | 1967 |
4-44193 | A | ANITA BRYANT | LOVE IS (EVERYTHING YOU ARE) | 1967 |
4-44193 | B | ANITA BRYANT | THE MAN IN THE RAINCOAT | 1967 |
4-44194 | A | LESTER FLATT & EARL SCRUGGS | THE LAST TRAIN TO CLARKSVILLE | 1967 |
4-44194 | B | LESTER FLATT & EARL SCRUGGS | CALIFORNIA UP TIGHT BAND | 1967 |
4-44195 | A | RAY PRICE | CRAZY | 1967 |
4-44195 | B | RAY PRICE | I'M STILL NOT OVER YOU | 1967 |
4-44196 | A | JOHNNY DUNCAN | HARD LUCK JOE | 1967 |
4-44196 | B | JOHNNY DUNCAN | GOTTA GET BACK (ON THE RIGHT TRACK) | 1967 |
4-44197 | A | BARRY DARVELL | BEGGAR'S PARADISE | 1967 |
4-44197 | B | BARRY DARVELL | MY WORLD OF MAKE BELIEVE | 1967 |
4-44198 | A | BOBBY SCOTT | WE'RE DOING FINE | 1967 |
4-44198 | B | BOBBY SCOTT | ANOTHER STRANGE TOWN | 1967 |
4-44199 | A | JOHNNY LOREN | SHE WOULDN'T HURT A FLY | 1967 |
4-44199 | B | JOHNNY LOREN | PERSONALITY DEFECT STUDY I | 1967 |
4-44200 | A | DEE CLARK | LOST GIRL | 1967 |
4-44200 | B | DEE CLARK | IN THESE VERY TENDER MOMENTS | 1967 |
4-44201 | A | BILLY WATCHES & HIS TOLEDO TROMBONES | SEE THE CHEETAH | 1967 |
4-44201 | B | BILLY WATCHES & HIS TOLEDO TROMBONES | LAST TRAIN OUT | 1967 |
4-44202 | A | ANDY WILLIAMS | MORE AND MORE | 1967 |
4-44202 | B | ANDY WILLIAMS | I WANT TO BE FREE | 1967 |
4-44203 | A | BRENDAN HANLON | WITH ONE EXCEPTION | 1967 |
4-44203 | B | BRENDAN HANLON | ROSES FOR HER (HEARTACHES FOR ME) | 1967 |
4-44204 | A | DAL PERKINS | HERE'S TO THE GIRLS | 1967 |
4-44204 | B | DAL PERKINS | ONE DAY A WEEK | 1967 |
4-44205 | A | LEFTY FRIZZELL | HOBO'S PRIDE | 1967 |
4-44205 | B | LEFTY FRIZZELL | GET THIS STRANGER OUT OF ME | 1967 |
4-44206 | A | JUNE STEARNS | HABIT NOT DESIRE | 1967 |
4-44206 | B | JUNE STEARNS | TEAR FOR TEAR | 1967 |
4-44207 | A | SMOKEY & HIS SISTER | A LOT OF LOVIN' | 1967 |
4-44207 | B | SMOKEY & HIS SISTER | WOULD YOU COME HOME | 1967 |
4-44208 | A | JERRY MURAD'S HARMONICATS | WHEN I'M WITH YOU | 1967 |
4-44208 | B | JERRY MURAD'S HARMONICATS | HALF A CROWN | 1967 |
4-44209 | A | THE CHARLIE CALELLO SINGERS | VINO OR CAPPUCCINO | 1967 |
4-44209 | B | THE CHARLIE CALELLO SINGERS | TULIPS OF AMSTERDAM | 1967 |
4-44210 | A | JOHN DAVIDSON | IN THE SUNSHINE DAYS | 1967 |
4-44210 | B | JOHN DAVIDSON | IF YOU CAN PUT THAT IN A BOTTLE | 1967 |
4-44211 | A | THE ROY MERIWETHER TRIO | THE SEVENTH SON | 1967 |
4-44211 | B | THE ROY MERIWETHER TRIO | BLUE RONDO A LA TURK | 1967 |
4-44212 | A | SAMMI SMITH | HE WENT A LITTLE BIT FARTHER | 1967 |
4-44212 | B | SAMMI SMITH | FOXY DAN | 1967 |
4-44213 | A | THE WILD LIFE | SOMETIMES I'M UP (SOMETIMES I'M DOWN) | 1967 |
4-44213 | B | THE WILD LIFE | THIS IS WHAT I WAS MADE FOR | 1967 |
4-44214 | A | CHARLIE BYRD | ZONA SUL | 1967 |
4-44214 | B | CHARLIE BYRD | THEME FROM 'THE CAPER OF THE GOLDEN BULLS' | 1967 |
4-44215 | A | GEORGE LINDSEY | CALL ME COUNTRY | 1967 |
4-44215 | B | GEORGE LINDSEY | THE WORLD'S BIGGEST WHOPPER | 1967 |
4-44216 | A | ? | ||
4-44216 | B | ? | ||
4-44217 | A | GUITAR CRUSHER | I'LL CATCH YOUR TEARS | 1967 |
4-44217 | B | GUITAR CRUSHER | GOIN' DOWN SLOW | 1967 |
4-44218 | A | JOE SOUTH AND THE BELIEVERS | FOOL IN LOVE | 1967 |
4-44218 | B | JOE SOUTH AND THE BELIEVERS | GREAT DAY | 1967 |
4-44219 | A | TARO DELPHI | SONG FROM 'WOMAN TIMES SEVEN' (WHAT TO DO) | 1967 |
4-44219 | B | TARO DELPHI | BOUND TO FLY | 1967 |
4-44220 | A | JUDY LYNN | I LOST MY WINGS LAST NIGHT | 1967 |
4-44220 | B | JUDY LYNN | I DON'T PLAY WITH MATCHES ANYMORE | 1967 |
4-44221 | A | MERCEY BROTHERS | WHISTLE ON THE RIVER | 1967 |
4-44221 | B | MERCEY BROTHERS | HAD TO FIGHT | 1967 |
4-44222 | A | SHANE MARTIN | ONE AND ONE | 1967 |
4-44222 | B | SHANE MARTIN | TROUBLE IS MY MIDDLE NAME | 1967 |
4-44223 | A | NORMAN CHARLES | SHE'S A WOMAN | 1967 |
4-44223 | B | NORMAN CHARLES | THIS IS GONNA HURT | 1967 |
4-44224 | A | THE CYRKLE | PENNY ARCADE | 1967 |
4-44224 | B | THE CYRKLE | THE WORDS | 1967 |
4-44225 | A | BARBRA STREISAND | STOUT-HEARTED MEN | 1967 |
4-44225 | B | BARBRA STREISAND | LOOK | 1967 |
4-44226 | A | THE ART FARMER QUINTET | NINO'S SCENE | 1967 |
4-44226 | B | THE ART FARMER QUINTET | THE TIME AND THE PLACE | 1967 |
4-44227 | A | PAUL REVERE AND THE RAIDERS FEATURING MARK LINDSAY | I HAD A DREAM | 1967 |
4-44227 | B | PAUL REVERE AND THE RAIDERS FEATURING MARK LINDSAY | UPON YOUR LEAVING | 1967 |
4-44228 | A | STEVE LAWRENCE & EYDIE GORME | SUMMER, SUMMER WIND | 1967 |
4-44228 | B | STEVE LAWRENCE & EYDIE GORME | BE STILL | 1967 |
4-44229 | A | DIAHANN CARROLL | THE NEED OF YOU | 1967 |
4-44229 | B | DIAHANN CARROLL | WORLD WITHOUT LOVE | 1967 |
4-44230 | A | THE BYRDS | LADY FRIEND | 1967 |
4-44230 | B | THE BYRDS | OLD JOHN ROBERTSON | 1967 |
4-44231 | A | THE PLEBEIAN REBELLION | GOOD SWEET LOVE | 1967 |
4-44231 | B | THE PLEBEIAN REBELLION | STICK TO YOUR GUNS | 1967 |
4-44232 | A | SIMON AND GARFUNKEL | FAKIN' IT | 1967 |
4-44232 | B | SIMON AND GARFUNKEL | YOU DON'T KNOW WHERE YOUR INTEREST LIES | 1967 |
4-44233 | A | CARL SMITH | DEEP WATER | 1967 |
4-44233 | B | CARL SMITH | I REALLY DON'T WANT TO KNOW | 1967 |
4-44234 | A | TOMMY HUNTER | THE BATTLE OF THE LITTLE BIG HORN | 1967 |
4-44234 | B | TOMMY HUNTER | MARY IN THE MORNING | 1967 |
4-44235 | A | THE STING-RAYS OF NEWBURGH | (WHAT DID I DO TO BE SO) BLACK AND BLUE | 1967 |
4-44235 | B | THE STING-RAYS OF NEWBURGH | FRIDAY'S GONE | 1967 |
4-44236 | A | ANITA HARRIS | BUTTERFLY WITH COLOURED WINGS | 1967 |
4-44236 | B | ANITA HARRIS | JUST LOVING YOU | 1967 |
4-44237 | A | CLAUDE KING | LAURA | 1967 |
4-44237 | B | CLAUDE KING | GOODBYE MY LOVE | 1967 |
4-44238 | A | STEVE VENET | PENTHOUSE TWO | 1967 |
4-44238 | B | STEVE VENET | PARADISE LOST | 1967 |
4-44239 | A | THE PLAYERS | GIVING UP YOUR LOVE IS LIKE (GIVING UP THE WORLD) | 1967 |
4-44239 | B | THE PLAYERS | GUILTY | 1967 |
4-44240 | A | LOU CHRISTIE | GINA | 1967 |
4-44240 | B | LOU CHRISTIE | ESCAPE | 1967 |
4-44241 | A | ? | ||
4-44241 | B | ? | ||
4-44242 | A | ? | ||
4-44242 | B | ? | ||
4-44243 | A | THE UPTIGHTS | SHY GUY | 1967 |
4-44243 | B | THE UPTIGHTS | HE SAID | 1967 |
4-44244 | A | JOE HARNELL | SERENATA | 1967 |
4-44244 | B | JOE HARNELL | GUANTANAMERA | 1967 |
4-44245 | A | THE STATLER BROTHERS | YOU CAN'T HAVE YOUR KATE AND EDITH TOO | 1967 |
4-44245 | B | THE STATLER BROTHERS | WALKING IN THE SUNSHINE | 1967 |
4-44246 | A | GIGI & THE CHARMAINES | POOR UNFORTUNATE ME | 1967 |
4-44246 | B | GIGI & THE CHARMAINES | BRAZIL | 1967 |
4-44247 | A | ANITA BRYANT | LITTLE LOVE WORDS | 1967 |
4-44247 | B | ANITA BRYANT | SOME SUNDAY IN THE MIDDLE OF THE DAY | 1967 |
4-44248 | A | THE TROPICS | THIS MUST BE THE PLACE | 1967 |
4-44248 | B | THE TROPICS | SUMMERTIME BLUES / LAND OF 1000 DANCES | 1967 |
4-44249 | A | HARDEN TRIO | FORBIDDEN | 1967 |
4-44249 | B | HARDEN TRIO | MANANA | 1967 |
4-44250 | A | LINZER & RANDALL | LOVE IS ON THE WAY | 1967 |
4-44250 | B | LINZER & RANDALL | A LETTER TO EMILY | 1967 |
4-44251 | A | NANI LEE | 'BOUT LOVING YOU | 1967 |
4-44251 | B | NANI LEE | IAHAINA LUNA | 1967 |
4-44252 | A | CARL AND PEARL BUTLER | FOR A MINUTE THERE | 1967 |
4-44252 | B | CARL AND PEARL BUTLER | GUILTY OF LOVE | 1967 |
4-44253 | A | LOVE-MICHAEL | MRS. MACABEE | 1967 |
4-44253 | B | LOVE-MICHAEL | I LOVE THOSE TREES | 1967 |
4-44254 | A | THE BUCKINGHAMS | HEY BABY (THEY'RE PLAYING OUR SONG) | 1967 |
4-44254 | B | THE BUCKINGHAMS | AND OUR LOVE | 1967 |
4-44255 | A | ANDRE KOSTELANETZ AND HIS ORCHESTRA | YOU ARE THERE | 1967 |
4-44255 | B | ANDRE KOSTELANETZ AND HIS ORCHESTRA | ONE OF THOSE SONGS | 1967 |
4-44256 | A | ONE | HEY TAXI | 1967 |
4-44256 | B | ONE | ENTER INTO MY WORLD | 1967 |
4-44257 | A | PATTI PAGE | PRETTY BLUEBIRD | 1967 |
4-44257 | B | PATTI PAGE | ALL THE TIME | 1967 |
4-44258 | A | TONY BENNETT | FOR ONCE IN MY LIFE | 1967 |
4-44258 | B | TONY BENNETT | SOMETHING IN YOUR SMILE | 1967 |
4-44259 | A | WILLIE HATCHER | GOOD THINGS COME TO THOSE WHO WAIT | 1967 |
4-44259 | B | WILLIE HATCHER | SEARCHING | 1967 |
4-44260 | A | TOMMY COLLINS | BIG DUMMY | 1967 |
4-44260 | B | TOMMY COLLINS | WHAT'CHA GONNA DO NOW | 1967 |
4-44261 | A | SLEEPY LEBEEF | COMPLETELY DESTROYED | 1967 |
4-44261 | B | SLEEPY LEBEEF | GO AHEAD ON BABY | 1967 |
4-44262 | A | ? | ||
4-44262 | B | ? | ||
4-44263 | A | POZO SECO SINGERS | LOUISIANA MAN | 1967 |
4-44263 | B | POZO SECO SINGERS | TOMORROW PROPER | 1967 |
4-44264 | A | THE TENNESSEE THREE | OUTSIDE LOOKING IN | 1967 |
4-44264 | B | THE TENNESSEE THREE | SPANISH HARLEM | 1967 |
4-44265 | A | THE CHILDREN OF PARADISE | HEY, YOU GOT SOMETHIN' | 1967 |
4-44265 | B | THE CHILDREN OF PARADISE | WHAT AM I DOING HERE | 1967 |
4-44266 | A | JOHNNY MATHIS | MISTY ROSES | 1967 |
4-44266 | B | JOHNNY MATHIS | DON'T TALK TO ME | 1967 |
4-44267 | A | TOMMY LEONETTI | YOU KNEW ABOUT HER ALL THE TIME | 1967 |
4-44267 | B | TOMMY LEONETTI | HOLD ME NOW AND FOREVER | 1967 |
4-44268 | A | JOHNNY SEAY | BEHIND MY BABY'S BEDROOM DOOR | 1967 |
4-44268 | B | JOHNNY SEAY | IF | 1967 |
4-44269 | A | LEN CHANDLER | TOUCH TALK | 1967 |
4-44269 | B | LEN CHANDLER | THE LOVIN' PEOPLE | 1967 |
4-44270 | A | ARETHA FRANKLIN | TAKE A LOOK | 1967 |
4-44270 | B | ARETHA FRANKLIN | FOLLOW YOUR HEART | 1967 |
4-44271 | A | MARTY ROBBINS | GIRL WITH GARDENIAS IN HER HAIR | 1967 |
4-44271 | B | MARTY ROBBINS | IN THE VALLEY OF THE RIO GRANDE | 1967 |
4-44272 | A | DONNA LEE | CLOWN TOWN | 1967 |
4-44272 | B | DONNA LEE | THE STRANGER | 1967 |
4-44273 | A | PETE SEEGER | WAIST DEEP IN THE BIG MUDDY | 1967 |
4-44273 | B | PETE SEEGER | DOWN BY THE RIVERSIDE | 1967 |
4-44274 | A | JERRY VALE | IN TIME | 1967 |
4-44274 | B | JERRY VALE | BLAME IT ON ME | 1967 |
4-44275 | A | KARON RONDELL | TEAR | 1967 |
4-44275 | B | KARON RONDELL | I'M YOUR WOMAN | 1967 |
4-44276 | A | EDDIE & ERNIE | DOGGONE IT | 1967 |
4-44276 | B | EDDIE & ERNIE | FALLING TEARS | 1967 |
4-44277 | A | BILLY JOE ROYAL | HUSH | 1967 |
4-44277 | B | BILLY JOE ROYAL | WATCHING FROM THE BANDSTAND | 1967 |
4-44278 | A | BROTHERS FOUR | HERE TODAY AND GONE TOMORROW | 1967 |
4-44278 | B | BROTHERS FOUR | NO SAD SONGS FOR ME | 1967 |
4-44279 | A | MERLE KILGORE | AVENUE OF TEARS | 1967 |
4-44279 | B | MERLE KILGORE | FAST TALKING LOUISIANA MAN | 1967 |
4-44280 | A | JERRY VALE | SANTA MOUSE | 1967 |
4-44280 | B | JERRY VALE | SILENT NIGHT, HOLY NIGHT | 1967 |
4-44281 | A | ? | ||
4-44281 | B | ? | ||
4-44282 | A | TED ANDERSON | HOUSE ON THE HILL | 1967 |
4-44282 | B | TED ANDERSON | OUR SNOWFLAKE DREAMS | 1967 |
4-44283 | A | STONEWALL JACKSON | THIS WORLD HOLDS NOTHING | 1967 |
4-44283 | B | STONEWALL JACKSON | ALMOST HEAR THE BLUES | 1967 |
4-44284 | A | RICHARD TUCKER | HATIKVAH | 1967 |
4-44284 | B | RICHARD TUCKER | ? | 1967 |
4-44285 | A | THE WILDLIFE | NEW GAMES TO PLAY | 1967 |
4-44285 | B | THE WILDLIFE | WHERE DO YOU GO | 1967 |
4-44286 | A | HAROLD WEAKLEY | SINCE NEVER | 1967 |
4-44286 | B | HAROLD WEAKLEY | GOT A GOOD DEAL ON A CAR TODAY | 1967 |
4-44287 | A | RAY JIMENEZ | I'LL KEEP ON LOVING YOU | 1967 |
4-44287 | B | RAY JIMENEZ | LEAVE HER ALONE | 1967 |
4-44288 | A | JOHNNY CASH | RED VELVET | 1967 |
4-44288 | B | JOHNNY CASH | THE WIND CHANGES | 1967 |
4-44289 | A | SAGITTARIUS | HOTEL INDISCREET | 1967 |
4-44289 | B | SAGITTARIUS | VIRGO | 1967 |
4-44290 | A | THE HARBINGERS | COME INTO MY WORLD | 1967 |
4-44290 | B | THE HARBINGERS | DOWN AROUND THE RIVER | 1967 |
4-44291 | A | DARRELL GLENN | EVERYBODY WINS SOMETIME | 1967 |
4-44291 | B | DARRELL GLENN | YOU ONLY USED ME | 1967 |
4-44292 | A | THE SURPRISE PACKAGE | THE OTHER ME | 1967 |
4-44292 | B | THE SURPRISE PACKAGE | THE MERRY-GO-ROUND IS SLOWIN' YOU DOWN | 1967 |
4-44293 | A | BILLY STACK | SOME OTHER TIME | 1967 |
4-44293 | B | BILLY STACK | IF YOU'VE STOPPED LOVING ME | 1967 |
4-44294 | A | HINES, HINES & DAD | LOOK FOR THE SILVER LINING | 1967 |
4-44294 | B | HINES, HINES & DAD | BUTTERSCOTCH MONDAY | 1967 |
4-44295 | A | EDDIE RABKIN | DREAM BABY (HOW LONG MUST I DREAM) | 1967 |
4-44295 | B | EDDIE RABKIN | OH, MARY DON'T YOU WEEP | 1967 |
4-44296 | A | THE CHAMBERS BROTHERS | UPTOWN | 1967 |
4-44296 | B | THE CHAMBERS BROTHERS | LOVE ME LIKE THE RAIN | 1967 |
4-44297 | A | THE UNION GAP FEATURING GARY PUCKETT | WOMAN, WOMAN | 1967 |
4-44297 | B | THE UNION GAP FEATURING GARY PUCKETT | DON'T MAKE PROMISES | 1967 |
4-44298 | A | RAY CONNIFF | THE HUKILAU SONG | 1967 |
4-44298 | B | RAY CONNIFF | ONE PADDLE TWO PEOPLE | 1967 |
4-44299 | A | EYDIE GORME | LIFE IS BUT A MOMENT (CANTA RAGAZZINA) | 1967 |
4-44299 | B | EYDIE GORME | WHAT MAKES ME LOVE HIM? | 1967 |
4-44300 | A | DALE TURNER | FALSE EYELASHES | 1967 |
4-44300 | B | DALE TURNER | LUCKIEST GIRL | 1967 |
4-44301 | A | DANA VALERY | YOU | 1967 |
4-44301 | B | DANA VALERY | IMAGINE | 1967 |
4-44302 | A | JACK BEDIENT AND THE CHESSMEN | I COULE HAVE LOVED YOU SO WELL | 1967 |
4-44302 | B | JACK BEDIENT AND THE CHESSMEN | LOVE WORKSHOP | 1967 |
4-44303 | A | MONGO SANTAMARIA | THERE IS A MOUNTAIN | 1967 |
4-44303 | B | MONGO SANTAMARIA | FUNNY MAN | 1967 |
4-44304 | A | BOBBY SCOTT | THE YOUNG YEARS | 1967 |
4-44304 | B | BOBBY SCOTT | IT'S CRAZY | 1967 |
4-44305 | A | ROBERT GOULET | MON AMOUR, MON AMOUR | 1967 |
4-44305 | B | ROBERT GOULET | THIS YEAR | 1967 |
4-44306 | A | GARRY BONNER | THE HEART OF JULIET JONES | 1967 |
4-44306 | B | GARRY BONNER | ME ABOUT YOU | 1967 |
4-44307 | A | THE ELECTRIC FLAG, AN AMERICAN MUSIC BAND | GROOVIN' IS EASY | 1967 |
4-44307 | B | THE ELECTRIC FLAG, AN AMERICAN MUSIC BAND | OVER-LOVIN' YOU | 1967 |
4-44308 | A | SUZANNE DENNIE | ANOTHER ENDLESS DAY | 1967 |
4-44308 | B | SUZANNE DENNIE | YOUNG AND IN LOVE | 1967 |
4-44309 | A | GERRY MARSDEN & THE PACEMAKERS | GILBERT GREEN | 1967 |
4-44309 | B | GERRY MARSDEN & THE PACEMAKERS | PLEASE LET ME BE | 1967 |
4-44310 | A | ARLENE HARDEN | YOU'RE EASY TO LOVE | 1967 |
4-44310 | B | ARLENE HARDEN | WHAT HAS THE WORLD DONE TO MY BABY | 1967 |
4-44311 | A | DEBBIE LORI KAYE | BREAK MY MIND | 1967 |
4-44311 | B | DEBBIE LORI KAYE | RIDE, RIDE, RIDE | 1967 |
4-44312 | A | PAT LUNDY | SOUL AIN'T NOTHIN' BUT THE BLUES | 1967 |
4-44312 | B | PAT LUNDY | ANOTHER RAINY DAY | 1967 |
4-44313 | A | DUKE'S NEW BAND | DON'T CALL ME HONEY WHEN YOUR MOTHER'S AROUND | 1967 |
4-44313 | B | DUKE'S NEW BAND | WHERE DID I GO BAD | 1967 |
4-44314 | A | THE ROMAN NUMERALS | MATCHSTICK IN A WHIRLPOOL | 1967 |
4-44314 | B | THE ROMAN NUMERALS | THE COME ON | 1967 |
4-44315 | A | BILLY LARGE | PRETTY GIRLS | 1967 |
4-44315 | B | BILLY LARGE | GYPSY ROSE AND I (DON'T GIVE A CURSE) | 1967 |
4-44316 | A | THE CHARLIE CALELLO SINGERS | THE BLUE MATADOR | 1967 |
4-44316 | B | THE CHARLIE CALELLO SINGERS | SEPTEMBER RAIN (HERE COMES THE RAIN) | 1967 |
4-44317 | A | ? | ||
4-44317 | B | ? | ||
4-44318 | A | THE ROY MERIWETHER TRIO | ALFIE | 1967 |
4-44318 | B | THE ROY MERIWETHER TRIO | RESPECT | 1967 |
4-44319 | A | PERCY FAITH & HIS ORCHESTRA | CAN'T TAKE MY EYES OFF YOU | 1967 |
4-44319 | B | PERCY FAITH & HIS ORCHESTRA | WINDY | 1967 |
4-44320 | A | SONNY BRIGHT | LEFTOVER LOVE | 1967 |
4-44320 | B | SONNY BRIGHT | RUNNING DRUNK | 1967 |
4-44321 | A | JUNE STEARNS | RIVER OF REGRET | 1967 |
4-44321 | B | JUNE STEARNS | WHERE DID THE GOOD TIMES GO | 1967 |
4-44322 | A | BOBBY HARDEN | AFTER HAVING YOU | 1967 |
4-44322 | B | BOBBY HARDEN | MY HEART'S CAUGHT IN THE DOOR | 1967 |
4-44323 | A | COLUMBUS SMITH | THE GRASS WILL SING FOR YOU | 1967 |
4-44323 | B | COLUMBUS SMITH | WALK WITH ME | 1967 |
4-44324 | A | ANITA BRYANT | I DON'T SEE ME IN YOUR EYES ANYMORE | 1967 |
4-44324 | B | ANITA BRYANT | THE HAPPY TIME | 1967 |
4-44325 | A | ANDY WILLIAMS | HOLLY | 1967 |
4-44325 | B | ANDY WILLIAMS | WHEN I LOOK IN YOUR EYES | 1967 |
4-44326 | A | MARLENE DIETRICH | WHERE HAVE ALL THE FLOWERS GONE | 1967 |
4-44326 | B | MARLENE DIETRICH | GO'WAY FROM MY WINDOW | 1967 |
4-44327 | A | SUSAN CHRISTIE | ALL I HAVE TO DO IS DREAM | 1967 |
4-44327 | B | SUSAN CHRISTIE | ANYWHERE YOU ARE | 1967 |
4-44328 | A | OPS 'N POPS | OPS AND POPS | 1967 |
4-44328 | B | OPS 'N POPS | COOL ONE | 1967 |
4-44329 | A | LES & LARRY ELGART | ODE TO BILLIE JOE | 1967 |
4-44329 | B | LES & LARRY ELGART | TORINO | 1967 |
4-44330 | A | JOHNNY DIAMOND | OUR DREAM | 1967 |
4-44330 | B | JOHNNY DIAMOND | DARK RAIN | 1967 |
4-44331 | A | BARBRA STREISAND | LOVER MAN | 1967 |
4-44331 | B | BARBRA STREISAND | MY FUNNY VALENTINE | 1967 |
4-44332 | A | ? | ||
4-44332 | B | ? | ||
4-44333 | A | SKITCH HENDERSON, HIS PIANO AND HIS ORCHESTRA | GREEN GREEN GRASS OF HOME | 1967 |
4-44333 | B | SKITCH HENDERSON, HIS PIANO AND HIS ORCHESTRA | STRANGERS | 1967 |
4-44334 | A | JOHN DAVIDSON | WHAT IS A WOMAN | 1967 |
4-44334 | B | JOHN DAVIDSON | HOW COME YOU DO ME LIKE YOU DO? | 1967 |
4-44335 | A | PAUL REVERE AND THE RAIDERS FEATURING MARK LINDSAY | PEACE OF MIND | 1967 |
4-44335 | B | PAUL REVERE AND THE RAIDERS FEATURING MARK LINDSAY | DO UNTO OTHERS | 1967 |
4-44336 | A | ? | ||
4-44336 | B | ? | ||
4-44337 | A | DON ELLIS & HIS ORCHESTRA | TURKISH BATH | 1967 |
4-44337 | B | DON ELLIS & HIS ORCHESTRA | INDIAN LADY | 1967 |
4-44338 | A | LOU CHRISTIE | DON'T STOP ME (JUMP OFF THE EDGE OF LOVE) | 1967 |
4-44338 | B | LOU CHRISTIE | BACK TO THE DAYS OF THE ROMANS | 1967 |
4-44339 | A | BILLY MIZE | I'D RATHER HAVE YOU THAN MY PRIDE | 1967 |
4-44339 | B | BILLY MIZE | THE LIGHTS OF ALBUQUERQUE | 1967 |
4-44340 | A | CLAUDE KING | YELLOW HAIRED GIRL | 1967 |
4-44340 | B | CLAUDE KING | 99 YEARS | 1967 |
4-44341 | A | ANITA BRYANT | DO YOU HEAR WHAT I HEAR? | 1967 |
4-44341 | B | ANITA BRYANT | AWAY IN A MANGER | 1967 |
4-44342 | A | THE CITY ZU | GIVE A LITTLE BIT | 1967 |
4-44342 | B | THE CITY ZU | I'LL FIND ANOTHER | 1967 |
4-44343 | A | DAL PERKINS | HELPLESS | 1967 |
4-44343 | B | DAL PERKINS | WOMAN IN THE DARKNESS | 1967 |
4-44344 | A | EDDIE ALBERT | ONCE BEFORE | 1967 |
4-44344 | B | EDDIE ALBERT | PENNY DREAMS | 1967 |
4-44345 | A | DAVE BRUBECK FEATURING RAGU | DO NOT FOLD, STAPLE, SPINDLE OR MUTILATE | 1967 |
4-44345 | B | DAVE BRUBECK FEATURING RAGU | RAGA THEME FOR RAGU | 1967 |
4-44346 | A | ? | ||
4-44346 | B | ? | ||
4-44347 | A | JERRY VALE | LOVE ME, THE WAY I LOVE YOU | 1967 |
4-44347 | B | JERRY VALE | WHAT A WONDERFUL WORLD | 1967 |
4-44348 | A | THOR'S HAMMER | SHOW ME YOU LIKE ME | 1967 |
4-44348 | B | THOR'S HAMMER | STAY | 1967 |
4-44349 | A | MELANIE | GOD'S ONLY DAUGHTER | 1967 |
4-44349 | B | MELANIE | MY BEAUTIFUL PEOPLE | 1967 |
4-44350 | A | BARBRA STREISAND | JINGLE BELLS | 1967 |
4-44350 | B | BARBRA STREISAND | WHITE CHRISTMAS | 1967 |
4-44351 | A | BARBRA STREISAND | HAVE YOURSELF A MERRY LITTLE CHRISTMAS | 1967 |
4-44351 | B | BARBRA STREISAND | THE BEST GIFT | 1967 |
4-44352 | A | BARBRA STREISAND | THE CHRISTMAS SONG | 1967 |
4-44352 | B | BARBRA STREISAND | MY FAVORITE THINGS | 1967 |
4-44353 | A | PATTI PAGE | GENTLE ON MY MIND | 1967 |
4-44353 | B | PATTI PAGE | EXCUSE ME | 1967 |
4-44354 | A | BARBRA STREISAND | THE LORD'S PRAYER | 1967 |
4-44354 | B | BARBRA STREISAND | I WONDER AS I WANDER | 1967 |
4-44355 | A | ? | ||
4-44355 | B | ? | ||
4-44356 | A | THE PEANUT BUTTER CONSPIRACY | TURN ON A FRIEND (TO A GOOD LIFE) | 1967 |
4-44356 | B | THE PEANUT BUTTER CONSPIRACY | CAPTAIN SANDWICH | 1967 |
4-44357 | A | JOHNNY MATHIS | AMONG THE FIRST TO KNOW | 1967 |
4-44357 | B | JOHNNY MATHIS | LONG WINTER NIGHTS | 1967 |
4-44358 | A | THE PLEBEIAN REBELLION | LOTTA LOVIN' | 1967 |
4-44358 | B | THE PLEBEIAN REBELLION | WHAT DO YOU THINK ABOUT | 1967 |
4-44359 | A | JIM NABORS | WHITE CHRISTMAS | 1967 |
4-44359 | B | JIM NABORS | IN A HUMBLE PLACE | 1967 |
4-44360 | A | GARY SCRUGGS | GENTLE WHEN YOU SAY THE WORD | 1967 |
4-44360 | B | GARY SCRUGGS | I NEED SOMEONE (SO DO YOU) | 1967 |
4-44361 | A | THE HONDELLS | YES TO YOU | 1967 |
4-44361 | B | THE HONDELLS | JUST ONE MORE CHANCE | 1967 |
4-44362 | A | THE BYRDS | GOIN' BACK | 1967 |
4-44362 | B | THE BYRDS | CHANGE IS NOW | 1967 |
4-44363 | A | THE ZOMBIES | CARE OF CELL 44 | 1967 |
4-44363 | B | THE ZOMBIES | MAYBE AFTER HE'S GONE | 1967 |
4-44364 | A | WAYNE CAMPBELL | SOFT HEARTED ME | 1967 |
4-44364 | B | WAYNE CAMPBELL | SHADOW OF LOVE | 1967 |
4-44365 | A | JOE HARNELL | BLAME IT ON THE BOSSA NOVA | 1967 |
4-44365 | B | JOE HARNELL | SO SOON | 1967 |
4-44366 | A | THE CYRKLE | TURN OF THE CENTURY | 1967 |
4-44366 | B | THE CYRKLE | DON'T CRY, NO FEARS, NO TEARS COMIN' | 1967 |
4-44367 | A | TOMMY HUNTER | CHARLIE'S SIDE | 1967 |
4-44367 | B | TOMMY HUNTER | HALF A WORLD AWAY | 1967 |
4-44368 | A | ROBERT GOULET | DAYDREAMER | 1967 |
4-44368 | B | ROBERT GOULET | MY BEST GIRL | 1967 |
4-44369 | A | THE WILDLIFE | HARD, HARD, YEAR | 1967 |
4-44369 | B | THE WILDLIFE | TIME WILL TELL | 1967 |
4-44370 | A | SAMMI SMITH | SO LONG, CHARLIE BROWN, DON'T LOOK FOR ME AROUND | 1967 |
4-44370 | B | SAMMI SMITH | TURN AROUND | 1967 |
4-44371 | A | BRUTE FORCE | TOYS FOR TOTS | 1967 |
4-44371 | B | BRUTE FORCE | BRUTE'S PARTY | 1967 |
4-44372 | A | TOM CARLILE & THE CRAFTSMEN | NIGHTINGALE | 1967 |
4-44372 | B | TOM CARLILE & THE CRAFTSMEN | I SAW THE LIGHT | 1967 |
4-44373 | A | JOHNNY CASH | ROSANNA'S GOING WILD | 1967 |
4-44373 | B | JOHNNY CASH | ROLL CALL | 1967 |
4-44374 | A | RAY PRICE | TAKE ME AS I AM (OR LET ME GO) | 1967 |
4-44374 | B | RAY PRICE | IN THE SUMMER OF MY LIFE | 1967 |
4-44375 | A | ALDORA BRITTON | AM I EVER GONNA SEE MY BABY AGAIN | 1967 |
4-44375 | B | ALDORA BRITTON | DO IT WITH SOUL | 1967 |
4-44376 | A | PAUL REVERE AND THE RAIDERS | RAIN, SLEET, SNOW | 1967 |
4-44376 | B | PAUL REVERE AND THE RAIDERS | BROTHERLY LOVE | 1967 |
4-44377 | A | CARY GRANT | CHRISTMAS LULLABY | 1967 |
4-44377 | B | CARY GRANT | HERE'S TO YOU | 1967 |
4-44378 | A | THE BUCKINGHAMS | SUSAN | 1967 |
4-44378 | B | THE BUCKINGHAMS | FOREIGN POLICY | 1967 |
4-44379 | A | CHAD AND JEREMY | PAINTED DAYGLOW SMILE | 1967 |
4-44379 | B | CHAD AND JEREMY | EDITORIAL | 1967 |
4-44380 | A | FLATT & SCRUGGS | DOWN IN THE FLOOD | 1967 |
4-44380 | B | FLATT & SCRUGGS | FOGGY MOUNTAIN BREAKDOWN | 1967 |
4-44381 | A | ARETHA FRANKLIN | MOCKINGBIRD | 1967 |
4-44381 | B | ARETHA FRANKLIN | A MOTHER'S LOVE | 1967 |
4-44382 | A | ARNIE CORRADO | SIMPLE SIMON | 1967 |
4-44382 | B | ARNIE CORRADO | LITTLE SUNSHINE | 1967 |
4-44383 | A | JOHNNY DUNCAN | BABY ME BABY | 1967 |
4-44383 | B | JOHNNY DUNCAN | MYSTERY | 1967 |
4-44384 | A | STEVE LAWRENCE | REMEMBER WHEN | 1967 |
4-44384 | B | STEVE LAWRENCE | YOU'VE GOT TO LEARN | 1967 |
4-44385 | A | ROBERT MERSEY | THE EIGHTH DAY | 1967 |
4-44385 | B | ROBERT MERSEY | THE LONELY | 1967 |
4-44386 | A | TOMMY COLLINS | I MADE A PRISON BAND | 1967 |
4-44386 | B | TOMMY COLLINS | NO LOVE HAVE I | 1967 |
4-44387 | A | TIM ROSE | COME AWAY MELINDA | 1967 |
4-44387 | B | TIM ROSE | LONG TIME MAN | 1967 |
4-44388 | A | THE AVANT-GARDE | YELLOW BEADS | 1967 |
4-44388 | B | THE AVANT-GARDE | HONEY AND GALL | 1967 |
4-44389 | A | DANA VALERY | HAVING YOU AROUND | 1967 |
4-44389 | B | DANA VALERY | ZABADAK | 1967 |
4-44390 | A | LEFTY FRIZZELL | ANYTHING YOU CAN SPARE | 1967 |
4-44390 | B | LEFTY FRIZZELL | PRAYER ON YOUR LIPS | 1967 |
4-44391 | A | DALE TURNER | DADDY WON'T BE HOME ANYMORE | 1967 |
4-44391 | B | DALE TURNER | SNIFF SNIFF BOO HOO HOO HOO | 1967 |
4-44392 | A | BRENDAN HANLON | EV'RY DAY OF MY LIFE | 1967 |
4-44392 | B | BRENDAN HANLON | IVY | 1967 |
4-44393 | A | ROONEY BROTHERS | JUST A FRIEND | 1967 |
4-44393 | B | ROONEY BROTHERS | GEORDIE | 1967 |
4-44394 | A | DEBBIE LORI KAYE | GREEN | 1967 |
4-44394 | B | DEBBIE LORI KAYE | BATTLE HYMN OF THE REPUBLIC | 1967 |
4-44395 | A | ? | ||
4-44395 | B | ? | ||
4-44396 | A | CARL SMITH | FOGGY RIVER | 1967 |
4-44396 | B | CARL SMITH | WHEN WILL THE RAINBOW FOLLOW THE RAIN | 1967 |
4-44397 | A | MONGO SANTAMARIA | BLOODSHOT | 1967 |
4-44397 | B | MONGO SANTAMARIA | JUAN JOSE | 1967 |
4-44398 | A | SAGITTARIUS | ANOTHER TIME | 1967 |
4-44398 | B | SAGITTARIUS | PISCES | 1967 |
4-44399 | A | MEL TORME | LIMA LADY | 1967 |
4-44399 | B | MEL TORME | WAIT UNTIL DARK | 1967 |
4-44400 | A | LONZO & OSCAR | DID YOU HAVE TO BRING THAT UP | 1967 |
4-44400 | B | LONZO & OSCAR | GIVE ME A KING-SIZED COLA AND MOON PIE | 1967 |
4-44401 | A | RHETTA HUGHES | A LITTLE BIT OF SUNSHINE | 1967 |
4-44401 | B | RHETTA HUGHES | COME LIVE WITH ME | 1967 |
4-44402 | A | DONNA MARIE | THE PENTHOUSE | 1967 |
4-44402 | B | DONNA MARIE | PRETTY THING | 1967 |
4-44403 | A | KIMBERLYS | I NEVER WILL MARRY | 1967 |
4-44403 | B | KIMBERLYS | THE EARLY MORNING SUN | 1967 |
4-44404 | A | ? | ||
4-44404 | B | ? | ||
4-44405 | A | TAJ MAHAL | E Z RIDER | 1967 |
4-44405 | B | TAJ MAHAL | LEAVING TRUNK | 1967 |
4-44406 | A | ? | ||
4-44406 | B | ? | ||
4-44407 | A | JOE HARNELL | THEME TO CANDICE | 1967 |
4-44407 | B | JOE HARNELL | SPANISH EYES | 1967 |
4-44408 | A | GERRI GRANGER | WAIT UNTIL DARK | 1967 |
4-44408 | B | GERRI GRANGER | I'VE GOT TO DO IT | 1967 |
4-44409 | A | JUDY LYNN | A THING OF PLEASURE | 1967 |
4-44409 | B | JUDY LYNN | EVIL ON YOUR MIND | 1967 |
4-44410 | A | KEITH COLLEY | ENAMORADO | 1967 |
4-44410 | B | KEITH COLLEY | SHAME, SHAME | 1967 |
4-44411 | A | CHARLIE BYRD & WILLIS CONOVER | FAR OFF CLOSE BY | 1967 |
4-44411 | B | CHARLIE BYRD & WILLIS CONOVER | THE EMPTY STREETS | 1967 |
4-44412 | A | PERCY FAITH | TARA'S THEME | 1967 |
4-44412 | B | PERCY FAITH | THEME FROM 'THE DARK AT THE TOP OF THE STAIRS' | 1967 |
4-44413 | A | MICHELE LEE | L. DAVID SLOANE | 1967 |
4-44413 | B | MICHELE LEE | EVERYBODY LOVES MY BABY (BUT MY BABY DON'T LOVE NOBODY BUT ME) | 1967 |
4-44414 | A | THE CHAMBERS BROTHERS | TIME HAS COME TODAY | 1967 |
4-44414 | B | THE CHAMBERS BROTHERS | PEOPLE GET READY | 1967 |
4-44415 | A | SHANE MARTIN | I NEVER PROMISED YOU A GARDEN OF LOVE | 1968 |
4-44415 | B | SHANE MARTIN | DON'T TAKE TOMORROW AWAY | 1968 |
4-44416 | A | STONEWALL JACKSON | NOTHING TAKES THE PLACE OF LOVING YOU | 1968 |
4-44416 | B | STONEWALL JACKSON | IF HEARTACHE WERE WINE | 1968 |
4-44417 | A | THE HARBINGERS | TOMPKINS SQUARE | 1968 |
4-44417 | B | THE HARBINGERS | IT'S TIME THAT YOU SETTLED DOWN | 1968 |
4-44418 | A | JOE BUSHKIN | DOCTOR DOOLITTLE | 1968 |
4-44418 | B | JOE BUSHKIN | THE CROSSROADS | 1968 |
4-44419 | A | ? | ||
4-44419 | B | ? | ||
4-44420 | A | HARDEN TRIO | HE LOOKS A LOT LIKE YOU | 1968 |
4-44420 | B | HARDEN TRIO | MY FRIEND MISTER ECHO | 1968 |
4-44421 | A | BOBBE NORRIS | TAKE ME BACK | 1968 |
4-44421 | B | BOBBE NORRIS | THANK YOU LOVE | 1968 |
4-44422 | A | RAY CONNIFF AND THE SINGERS | WE'RE A HOME | 1968 |
4-44422 | B | RAY CONNIFF AND THE SINGERS | WINDS OF CHANGE | 1968 |
4-44423 | A | JOHNNY SEAY | GOING OUT TO TULSA | 1968 |
4-44423 | B | JOHNNY SEAY | THERE'S A SHADOW BAR | 1968 |
4-44424 | A | ? | ||
4-44424 | B | ? | ||
4-44425 | A | O.C. SMITH | THE SON OF HICKORY HOLLER'S TRAMP | 1968 |
4-44425 | B | O.C. SMITH | THE BEST MAN | 1968 |
4-44426 | A | THE CYRKLE | FRIENDS | 1968 |
4-44426 | B | THE CYRKLE | READING HER PAPERS | 1968 |
4-44427 | A | ANITA BRYANT | YELLOW DAYS | 1968 |
4-44427 | B | ANITA BRYANT | SOMETHING IN YOUR SMILE | 1968 |
4-44428 | A | FARON TAYLOR | BLUE EYED SOUL | 1968 |
4-44428 | B | FARON TAYLOR | IT'S ALL IN THE GAME | 1968 |
4-44429 | A | THE ART FARMER QUINTET | MERCY, MERCY, MERCY | 1968 |
4-44429 | B | THE ART FARMER QUINTET | GOIN' OUT OF MY HEAD | 1968 |
4-44430 | A | DAVID ROGERS | I'D BE YOUR FOOL AGAIN | 1968 |
4-44430 | B | DAVID ROGERS | LOSER'S SHOES | 1968 |
4-44431 | A | ? | ||
4-44431 | B | ? | ||
4-44432 | A | JERRY VALE | DON'T TELL MY HEART TO STOP LOVING YOU | 1968 |
4-44432 | B | JERRY VALE | WHEN I'M WITH YOU | 1968 |
4-44433 | A | RHETTA HUGHES | HOW CAN I LEAVE YOU | 1968 |
4-44433 | B | RHETTA HUGHES | THE BEST THING YOU EVER HAD | 1968 |
4-44434 | A | THE CRACKERJACK SOCIETY | WALK IN THE SKY | 1968 |
4-44434 | B | THE CRACKERJACK SOCIETY | LISTEN TO THIS SIDE | 1968 |
4-44435 | A | ROBERT JOHN | IF YOU DON'T WANT MY LOVE | 1968 |
4-44435 | B | ROBERT JOHN AND MICHAEL GATELEY | DON'T | 1968 |
4-44436 | A | ? | ||
4-44436 | B | ? | ||
4-44437 | A | RICHARD BURTON | HOW TO HANDLE A WOMAN | 1968 |
4-44437 | B | RICHARD BURTON | CAMELOT | 1968 |
4-44438 | A | ANITA HARRIS | ANNIVERSARY WALTZ | 1968 |
4-44438 | B | ANITA HARRIS | COMES THE NIGHT (CAROL'S THEME) | 1968 |
4-44439 | A | LEONARD COHEN | SUZANNE | 1968 |
4-44439 | B | LEONARD COHEN | HEY, THAT'S NO WAY TO SAY GOODBYE | 1968 |
4-44440 | A | ? | ||
4-44440 | B | ? | ||
4-44441 | A | ARETHA FRANKLIN | SOULVILLE | 1968 |
4-44441 | B | ARETHA FRANKLIN | IF EVER I WOULD LEAVE YOU | 1968 |
4-44442 | A | THE SPIRAL STARECASE | BABY WHAT I MEAN | 1968 |
4-44442 | B | THE SPIRAL STARECASE | MAKIN' MY MIND UP | 1968 |
4-44443 | A | TONY BENNETT | A FOOL OF FOOLS | 1968 |
4-44443 | B | TONY BENNETT | THE GLORY OF LOVE | 1968 |
4-44444 | A | PAUL REVERE AND THE RAIDERS FEATURING MARK LINDSAY | TOO MUCH TALK | 1968 |
4-44444 | B | PAUL REVERE AND THE RAIDERS FEATURING MARK LINDSAY | HAPPENING '68 | 1968 |
4-44445 | A | MOTHER HUBBARD | GREEN PAPER | 1968 |
4-44445 | B | MOTHER HUBBARD | CHILDREN | 1968 |
4-44446 | A | PERCY FAITH, HIS ORCHESTRA AND CHORUS | FOR THOSE IN LOVE | 1968 |
4-44446 | B | PERCY FAITH, HIS ORCHESTRA AND CHORUS | THERE WAS A TIME | 1968 |
4-44447 | A | CARL BUTLER | IF I'D ONLY MET YOU FIRST | 1968 |
4-44447 | B | CARL BUTLER | IF YOU SHOULD EVER STOP LOVING ME | 1968 |
4-44448 | A | ROBERTA PECK | A COLD, COLD WINTER | 1968 |
4-44448 | B | ROBERTA PECK | IF YOU EVER LEAVE ME NOW | 1968 |
4-44449 | A | AGNES AND ORVILLE | IF YOU'VE GOT THE MONEY | 1968 |
4-44449 | B | AGNES AND ORVILLE | HAVE I EVER BEEN UNTRUE | 1968 |
4-44450 | A | THE UNION GAP FEATURING GARY PUCKETT | YOUNG GIRL | 1968 |
4-44450 | B | THE UNION GAP FEATURING GARY PUCKETT | I'M LOSING YOU | 1968 |
4-44451 | A | JAMEY RYAN | AMONG THE FIRST TO KNOW | 1968 |
4-44451 | B | JAMEY RYAN | A WOMAN'S PRISON | 1968 |
4-44452 | A | MONGO SANTAMARIA | SUGAR CANE HOMBRE | 1968 |
4-44452 | B | MONGO SANTAMARIA | BONITA | 1968 |
4-44453 | A | JERRY INMAN | FROM ME TO YOU | 1968 |
4-44453 | B | JERRY INMAN | HELP | 1968 |
4-44454 | A | LINZER & RANDELL | I WANT TO BE YOUR PUPPY DOG | 1968 |
4-44454 | B | LINZER & RANDELL | SUGAR MAN | 1968 |
4-44455 | A | SLEEPY LEBEEF | IF I GO RIGHT I'M WRONG | 1968 |
4-44455 | B | SLEEPY LEBEEF | EVERY DAY | 1968 |
4-44456 | A | MICHAEL OLATUJNI | GIN-GO-LO-BA | 1968 |
4-44456 | B | MICHAEL OLATUJNI | AKOWOWO | 1968 |
4-44457 | A | THE CRYAN' SHAMES | UP ON THE ROOF | 1968 |
4-44457 | B | THE CRYAN' SHAMES | THE SAILING SHIP | 1968 |
4-44458 | A | HAROLD LEE | BRINGING DADDY HOME | 1968 |
4-44458 | B | HAROLD LEE | THE TWO SIDES OF ME | 1968 |
4-44459 | A | CATHIE TAYLOR | BABY, BABY, HAVE YOU GOT CHEATIN' ON YOUR MIND | 1968 |
4-44459 | B | CATHIE TAYLOR | IN CASE OF A STORM | 1968 |
4-44460 | A | THE SURPRISE PACKAGE | I'LL RUN | 1968 |
4-44460 | B | THE SURPRISE PACKAGE | EAST SIDE-WEST SIDE | 1968 |
4-44461 | A | ARLENE HARDEN | HE'S A GOOD OLE BOY | 1968 |
4-44461 | B | ARLENE HARDEN | WHEN | 1968 |
4-44462 | A | JIM NABORS | THE IMPOSSIBLE DREAM | 1968 |
4-44462 | B | JIM NABORS | TIME AFTER TIME | 1968 |
4-44463 | A | MERLE KILGORE | THE PATCHES (MADE THE CHANGE) | 1968 |
4-44463 | B | MERLE KILGORE | WILD ROSE | 1968 |
4-44464 | A | ? | ||
4-44464 | B | ? | ||
4-44465 | A | SIMON AND GARFUNKEL | SCARBOROUGH FAIR-CANTICLE | 1968 |
4-44465 | B | SIMON AND GARFUNKEL | APRIL COME SHE WILL | 1968 |
4-44466 | A | ROBERT GOULET | I DON'T REMEMBER YOU | 1968 |
4-44466 | B | ROBERT GOULET | THE HAPPY TIME | 1968 |
4-44467 | A | LES & LARRY ELGART | THE SOUNDS OF SILENCE | 1968 |
4-44467 | B | LES & LARRY ELGART | WHEN I LOOK IN YOUR EYES | 1968 |
4-44468 | A | BILLY JOE ROYAL | DON'T YOU BE ASHAMED | 1968 |
4-44468 | B | BILLY JOE ROYAL | DON'T YOU THINK IT'S TIME | 1968 |
4-44469 | A | BETTY MABRY | LIVE, LOVE, LEARN | 1968 |
4-44469 | B | BETTY MABRY | IT'S MY LIFE | 1968 |
4-44470 | A | JOEL GREY | I WANT TO HEAR A YANKEE DOODLE TUNE | 1968 |
4-44470 | B | JOEL GREY | IN MY LIFE | 1968 |
4-44471 | A | ANITA BRYANT | MY CUP RUNNETH OVER | 1968 |
4-44471 | B | ANITA BRYANT | TRY TO REMEMBER | 1968 |
4-44472 | A | PAUL EVANS | ONE RED ROSE | 1968 |
4-44472 | B | PAUL EVANS | BOUND TO SILENCE | 1968 |
4-44473 | A | CHARLIE BYRD | LOVE IS BLUE (L'AMOUR EST BLEU) | 1968 |
4-44473 | B | CHARLIE BYRD | THE LOOK OF LOVE | 1968 |
4-44474 | A | BARBRA STREISAND | OUR CORNER OF THE NIGHT | 1968 |
4-44474 | B | BARBRA STREISAND | HE COULD SHOW ME | 1968 |
4-44475 | A | BEVERLY FARRELL | WHAT EVER HAPPENED, HAPPENED | 1968 |
4-44475 | B | BEVERLY FARRELL | WHEN I LOST YOU | 1968 |
4-44476 | A | TAJ MAHAL | EVERYBODY'S GOT TO CHANGE SOMETIME | 1968 |
4-44476 | B | TAJ MAHAL | STATESBORO BLUES | 1968 |
4-44477 | A | DIAHANN CARROLL | WORLD WITHOUT LOVE | 1968 |
4-44477 | B | DIAHANN CARROLL | I'LL BE AROUND | 1968 |
4-44478 | A | JOHN DAVIDSON | THE FLAME | 1968 |
4-44478 | B | JOHN DAVIDSON | VISIONS OF SUGARPLUMS | 1968 |
4-44479 | A | GALE GARNETT & THE GENTLE REIGN | BREAKING THROUGH | 1968 |
4-44479 | B | GALE GARNETT & THE GENTLE REIGN | FALL IN LOVE AGAIN | 1968 |
4-44480 | A | THE STATLER BROTHERS | JUMP FOR JOY | 1968 |
4-44480 | B | THE STATLER BROTHERS | TAKE A BOW RUFUS HUMFRY | 1968 |
4-44481 | A | JACK BEDIENT AND THE CHESSMEN | PRETTY ONE | 1968 |
4-44481 | B | JACK BEDIENT AND THE CHESSMEN | SEE THAT GIRL | 1968 |
4-44482 | A | PETE DUVAL | BRASSY BLONDE BARMAID | 1968 |
4-44482 | B | PETE DUVAL | JIMMY LEE'S LAST RACE | 1968 |
4-44483 | A | JUNE STEARNS | EMPTY HOUSE | 1968 |
4-44483 | B | JUNE STEARNS | I'M THE QUEEN (OF MY LONELY LITTLE WORLD) | 1968 |
4-44484 | A | JOHNNY DUNCAN | I'M THE ONE | 1968 |
4-44484 | B | JOHNNY DUNCAN | SOLO SOUL | 1968 |
4-44485 | A | BOBBY SCOTT | I WON'T CRY ANYMORE | 1968 |
4-44485 | B | BOBBY SCOTT | SMILE | 1968 |
4-44486 | A | CARL SMITH | YOU OUGHT TO HEAR ME CRY | 1968 |
4-44486 | B | CARL SMITH | I USED UP MY LAST CHANCE LAST NIGHT | 1968 |
4-44487 | A | DONNA LEE | YOU'RE LEAVING, SHE'S LAUGHING, I'M CRYING | 1968 |
4-44487 | B | DONNA LEE | I WON'T LET MYSELF GO RUNNING BACK TO YOU | 1968 |
4-44488 | A | THE BANJO BARONS & CHORUS | ROSE | 1968 |
4-44488 | B | THE BANJO BARONS & CHORUS | YANKEE DOODLE BOY-GIVE MY REGARDS TO BROADWAY | 1968 |
4-44489 | A | JUDY LYNN | GREEN PAPER | 1968 |
4-44489 | B | JUDY LYNN | MISS, MAY I DRIVE YOU HOME | 1968 |
4-44490 | A | THE HARBINGERS | APRIL COME SHE WILL | 1968 |
4-44490 | B | THE HARBINGERS | THE BRIDGE | 1968 |
4-44491 | A | THE CYRKLE | RED CHAIR FADE AWAY | 1968 |
4-44491 | B | THE CYRKLE | WHERE ARE YOU GOIN? | 1968 |
4-44492 | A | STONEWALL JACKSON'S MINIT MEN | SNOWBALL | 1968 |
4-44492 | B | STONEWALL JACKSON'S MINIT MEN | THAT'S WHY I'M WALKIN' | 1968 |
4-44493 | A | ? | ||
4-44493 | B | ? | ||
4-44494 | A | THE SMITHS | NOW I TASTE THE TEARS | 1968 |
4-44494 | B | THE SMITHS | I CAN'T STOP | 1968 |
4-44495 | A | THE BLUESMEN REVUE | SPIN THE BOTTLE (OF LOVE) | 1968 |
4-44495 | B | THE BLUESMEN REVUE | DORIAN'S DANCE | 1968 |
4-44496 | A | SONNY BRIGHT | PAIN REMOVER | 1968 |
4-44496 | B | SONNY BRIGHT | HUNG TO ANOTHER MAN | 1968 |
4-44497 | A | JIMMIE PETERS | ONE TOWN BEHIND | 1968 |
4-44497 | B | JIMMIE PETERS | IT'S DRINKING TIME AGAIN | 1968 |
4-44498 | A | TOMMY COLLINS | SUNNY SIDE OF LIFE | 1968 |
4-44498 | B | TOMMY COLLINS | HE'S GONNA HAVE TO CATCH | 1968 |
4-44499 | A | THE BYRDS | YOU AIN'T GOING NOWHERE | 1968 |
4-44499 | B | THE BYRDS | ARTIFICIAL ENERGY | 1968 |
4-44500 | A | THE NEW CHRISTY MINSTRELS | STOP IN THE NAME OF LOVE | 1968 |
4-44500 | B | THE NEW CHRISTY MINSTRELS | WHERE DID OUR LOVE GO | 1968 |
4-44501 | A | STONEWALL JACKSON | I BELIEVE IN LOVE | 1968 |
4-44501 | B | STONEWALL JACKSON | DRINKING AND DRIVING | 1968 |
4-44502 | A | MONGO SANTAMARIA | SITTING ON THE DOCK OF THE BAY | 1968 |
4-44502 | B | MONGO SANTAMARIA | COLD SWEAT | 1968 |
4-44503 | A | SAGITTARIUS | THE TRUTH IS NOT REAL | 1968 |
4-44503 | B | SAGITTARIUS | YOU KNOW I'VE FOUND A WAY | 1968 |
4-44504 | A | CLAUDE KING | PARCHMENT FARM BLUES | 1968 |
4-44504 | B | CLAUDE KING | BIRMINGHAM BUS STATION | 1968 |
4-44505 | A | RAY PRICE | NIGHT LIFE | 1968 |
4-44505 | B | RAY PRICE | I'VE BEEN THERE BEFORE | 1968 |
4-44506 | A | PAT LUNDY | WHAT NOW MY LOVE | 1968 |
4-44506 | B | PAT LUNDY | DOES SHE EVER REMIND YOU OF ME | 1968 |
4-44507 | A | HINES, HINES & DAD | WE GOT US | 1968 |
4-44507 | B | HINES, HINES & DAD | SOMETHING EXTRA | 1968 |
4-44508 | A | BURL IVES | I'LL BE YOU BABY TONIGHT | 1968 |
4-44508 | B | BURL IVES | MARIA (IF I COULD) | 1968 |
4-44509 | A | MARTY ROBBINS | LOVE IS IN THE AIR | 1968 |
4-44509 | B | MARTY ROBBINS | I'VE BEEN LEAVING EVERY DAY | 1968 |
4-44510 | A | TONY BENNETT | SWEET GEORGIE FAME | 1968 |
4-44510 | B | TONY BENNETT | YESTERDAY I HEARD THE RAIN | 1968 |
4-44511 | A | SIMON AND GARFUNKEL | MRS. ROBINSON | 1968 |
4-44511 | B | SIMON AND GARFUNKEL | OLD FRIENDS / BOOKENDS | 1968 |
4-44512 | A | JERRY VALE | I NEVER LET A DAY GO BY | 1968 |
4-44512 | B | JERRY VALE | MY LOVE, FORGIVE ME | 1968 |
4-44513 | A | JOHNNY CASH | FOLSOM PRISON BLUES | 1968 |
4-44513 | B | JOHNNY CASH | THE FOLK SINGER | 1968 |
4-44514 | A | STEVE LAWRENCE | DULCINEA | 1968 |
4-44514 | B | STEVE LAWRENCE | I WANT TO BE WITH YOU | 1968 |
4-44515 | A | SHANE MARTIN | BLACK IS BLACK (96 TEARS) | 1968 |
4-44515 | B | SHANE MARTIN | A LITTLE MISUNDERSTANDING | 1968 |
4-44516 | A | ? | ||
4-44516 | B | ? | ||
4-44517 | A | JOHNNY MATHIS | VENUS | 1968 |
4-44517 | B | JOHNNY MATHIS | DON'T GO BREAKIN' MY HEART | 1968 |
4-44518 | A | ? | ||
4-44518 | B | ? | ||
4-44519 | A | ? | ||
4-44519 | B | ? | ||
4-44520 | A | ? | ||
4-44520 | B | ? | ||
4-44521 | A | FLAVOR | SALLY HAD A PARTY | 1968 |
4-44521 | B | FLAVOR | SHOP AROUND | 1968 |
4-44522 | A | ? | ||
4-44522 | B | ? | ||
4-44523 | A | SAMMI SMITH | WHY DO YOU DO ME LIKE YOU DO | 1968 |
4-44523 | B | SAMMI SMITH | 22 ROAD MARKERS TO A MILE | 1968 |
4-44524 | A | MELANIE | GARDEN IN THE CITY | 1968 |
4-44524 | B | MELANIE | WHY DIDN'T MOTHER TELL ME? | 1968 |
4-44525 | A | CHAD AND JEREMY | SISTER MARIE | 1968 |
4-44525 | B | CHAD AND JEREMY | REST IN PEACE | 1968 |
4-44526 | A | ROONEY BROTHERS | I'M WONDERING | 1968 |
4-44526 | B | ROONEY BROTHERS | I'M LEFT TO WONDER | 1968 |
4-44527 | A | ANDY WILLIAMS | SWEET MEMORIES | 1968 |
4-44527 | B | ANDY WILLIAMS | YOU ARE WHERE EVERYTHING IS | 1968 |
4-44528 | A | THE NEW CHRISTY MINSTRELS | GALLANT MEN | 1968 |
4-44528 | B | THE NEW CHRISTY MINSTRELS | BALLAD FOR AMERICANS | 1968 |
4-44529 | A | MAHALIA JACKSON | WE SHALL OVERCOME | 1968 |
4-44529 | B | MAHALIA JACKSON | TAKE MY HAND PRECIOUS LORD | 1968 |
4-44530 | A | BILLY LARGE | DIRTY OLD EGG-SUCKING DOG | 1968 |
4-44530 | B | BILLY LARGE | I'M GOING BACK TO WHUR I CAME FROM | 1968 |
4-44531 | A | LAURA NYRO | ELI'S COMIN | 1968 |
4-44531 | B | LAURA NYRO | SWEET BLINDNESS | 1968 |
4-44532 | A | BARBRA STREISAND | THE MORNING AFTER | 1968 |
4-44532 | B | BARBRA STREISAND | WHERE IS THE WONDER | 1968 |
4-44533 | A | THE BUCKINGHAMS | BACK IN LOVE AGAIN | 1968 |
4-44533 | B | THE BUCKINGHAMS | YOU MISUNDERSTOOD ME | 1968 |
4-44534 | A | CARAVELLI & HIS ORCHESTRA | LA LA LA | 1968 |
4-44534 | B | CARAVELLI & HIS ORCHESTRA | CONGRATULATIONS | 1968 |
4-44535 | A | ? | ||
4-44535 | B | ? | ||
4-44536 | A | RAY CONNIFF | A CERTAIN GIRL | 1968 |
4-44536 | B | RAY CONNIFF | SOUNDS OF SILENCE | 1968 |
4-44537 | A | JIM NABORS | I MUST HAVE BEEN OUT OF MY MIND | 1968 |
4-44537 | B | JIM NABORS | TO GIVE | 1968 |
4-44538 | A | DEBBIE LORI KAYE | COME ON HOME | 1968 |
4-44538 | B | DEBBIE LORI KAYE | HELP ME LOVE YOU | 1968 |
4-44539 | A | ? | ||
4-44539 | B | ? | ||
4-44540 | A | KARON RONDELL | THE BED | 1968 |
4-44540 | B | KARON RONDELL | FORGETTING YOU | 1968 |
4-44541 | A | TOMMY HUNTER | ARE YOU SAD | 1968 |
4-44541 | B | TOMMY HUNTER | I DON'T WANT NO WOMAN TYIN' ME DOWN | 1968 |
4-44542 | A | JOHNNY SEAY | MAMA WHEN I'M GONE (DON'T CRY FOR ME) | 1968 |
4-44542 | B | JOHNNY SEAY | SONG NUMBER 9 ½ | 1968 |
4-44543 | A | BOBBY HARDEN | THE TEXARKANA | 1968 |
4-44543 | B | BOBBY HARDEN | DON'T DRIVE ME | 1968 |
4-44544 | A | HAROLD WEAKLEY | SO BIG A MOUNTAIN | 1968 |
4-44544 | B | HAROLD WEAKLEY | MY HEART COULDN'T STAND IT | 1968 |
4-44545 | A | THE CRYAN' SHAMES | YOUNG BIRDS FLY | 1968 |
4-44545 | B | THE CRYAN' SHAMES | SUNSHINE PSALM | 1968 |
4-44546 | A | THE MILLENNIUM | IT'S YOU | 1968 |
4-44546 | B | THE MILLENNIUM | I JUST WANT TO BE YOUR FRIEND | 1968 |
4-44547 | A | GARY PUCKETT AND THE UNION GAP | LADY WILLPOWER | 1968 |
4-44547 | B | GARY PUCKETT AND THE UNION GAP | DAYLIGHT STRANGER | 1968 |
4-44548 | A | ROBERT GOULET | WHAT A WONDERFUL WORLD | 1968 |
4-44548 | B | ROBERT GOULET | I DON'T WANT TO HURT YOU ANYMORE | 1968 |
4-44549 | A | DONNA MARIE | HE GIVES ME LOVE (LA LA LA) | 1968 |
4-44549 | B | DONNA MARIE | SUNSHINE MIND | 1968 |
4-44550 | A | ? | ||
4-44550 | B | ? | ||
4-44551 | A | ? | ||
4-44551 | B | ? | ||
4-44552 | A | THE HARDEN TRIO | EVERYBODY WANTS TO BE SOMEBODY ELSE | 1968 |
4-44552 | B | THE HARDEN TRIO | DIDDLE DIDDLE DUMPLIN' | 1968 |
4-44553 | A | PAUL REVERE AND THE RAIDERS FEATURING MARK LINDSAY | DON'T TAKE IT SO HARD | 1968 |
4-44553 | B | PAUL REVERE AND THE RAIDERS FEATURING MARK LINDSAY | OBSERVATION FROM FLIGHT 285 (IN ¾ TIME) | 1968 |
4-44554 | A | MICHELE LEE | I DIDN'T COME FROM NEW YORK TO MEET A GUY FROM MY HOME TOWN | 1968 |
4-44554 | B | MICHELE LEE | I CAN'T BELIEVE I'M LOSING YOU | 1968 |
4-44555 | A | O.C. SMITH | MAIN STREET MISSION | 1968 |
4-44555 | B | O.C. SMITH | GAS FOOD LODGING | 1968 |
4-44556 | A | PATTI PAGE | LITTLE GREEN APPLES | 1968 |
4-44556 | B | PATTI PAGE | THIS HOUSE | 1968 |
4-44557 | A | THE HONDELLS | ATLANTA GEORGIA STRAY | 1968 |
4-44557 | B | THE HONDELLS | ANOTHER WOMAN | 1968 |
4-44558 | A | THE JIMMY WISNER SOUND | THEME FROM 'THE SWIMMER' | 1968 |
4-44558 | B | THE JIMMY WISNER SOUND | MUSIC | 1968 |
4-44559 | A | BLOOD, SWEAT & TEARS | I CAN'T QUIT HER | 1968 |
4-44559 | B | BLOOD, SWEAT & TEARS | HOUSE IN THE COUNTRY | 1968 |
4-44560 | A | THE HARBINGERS | CAN'T EXPRESS MY LOVE FOR YOU | 1968 |
4-44560 | B | THE HARBINGERS | WHY DOES IT HAVE TO CHANGE | 1968 |
4-44561 | A | DAVID ROGERS | I'M IN LOVE WITH MY WIFE | 1968 |
4-44561 | B | DAVID ROGERS | TESSIE'S BAR MYSTERY | 1968 |
4-44562 | A | PETE CANDOLI, HIS TRUMPET, ORCHESTRA & CHORUS | ON THE SOUTH SIDE OF CHICAGO | 1968 |
4-44562 | B | PETE CANDOLI, HIS TRUMPET, ORCHESTRA & CHORUS | DRINKING CHAMPAGNE | 1968 |
4-44563 | A | LEFTY FRIZZELL | MARRIAGE BIT | 1968 |
4-44563 | B | LEFTY FRIZZELL | WHEN THE GRASS GROWS GREENER AGAIN | 1968 |
4-44564 | A | THE ILLINOIS SPEED PRESS | GET IN THE WIND | 1968 |
4-44564 | B | THE ILLINOIS SPEED PRESS | GET IN THE WIND [INSTRUMENTAL] | 1968 |
4-44565 | A | JACK BEDIENT AND THE CHESSMEN | THE PLEASURES OF YOU | 1968 |
4-44565 | B | JACK BEDIENT AND THE CHESSMEN | IT'S OVER | 1968 |
4-44566 | A | SPIRAL STARECASE | I'LL RUN | 1968 |
4-44566 | B | SPIRAL STARECASE | INSIDE, OUTSIDE, UPSIDE DOWN | 1968 |
4-44567 | A | MOBY GRAPE | CAN'T BE SO BAD | 1968 |
4-44567 | B | MOBY GRAPE | BITTER WIND | 1968 |
4-44568 | A | TOMMY LEONETTI | ALL THE BRAVE YOUNG FACES OF THE NIGHT | 1968 |
4-44568 | B | TOMMY LEONETTI & KIM LEONETTI | LET'S TAKE A WALK | 1968 |
4-44569 | A | ANITA BRYANT | BLUE SUMMER | 1968 |
4-44569 | B | ANITA BRYANT | SILVER AND BLUE | 1968 |
4-44570 | A | THE FAMILY ALBUM | WALK ALONG BESIDE ME | 1968 |
4-44570 | B | THE FAMILY ALBUM | CANDY | 1968 |
4-44571 | A | JOE HARNELL | THE MIGHTY QUINN | 1968 |
4-44571 | B | JOE HARNELL | SIMON SAYS | 1968 |
4-44572 | A | JERRY VALE | THE LOOK OF LOVE | 1968 |
4-44572 | B | JERRY VALE | WITH PEN IN HAND | 1968 |
4-44573 | A | ? | ||
4-44573 | B | ? | ||
4-44574 | A | BILLY JOE ROYAL | STORYBOOK CHILDREN | 1968 |
4-44574 | B | BILLY JOE ROYAL | JUST BETWEEN ME AND YOU | 1968 |
4-44575 | A | JUNE STEARNS | WHERE HE STOPS NOBODY KNOWS | 1968 |
4-44575 | B | JUNE STEARNS | I CRY MYSELF AWAKE | 1968 |
4-44576 | A | ? | ||
4-44576 | B | ? | ||
4-44577 | A | THE NEW CHRISTY MINSTRELS | SUMMERTIME LOVE | 1968 |
4-44577 | B | THE NEW CHRISTY MINSTRELS | ALICE'S RESTAURANT | 1968 |
4-44578 | A | THE BROTHERS FOUR | I'M FALLING DOWN | 1968 |
4-44578 | B | THE BROTHERS FOUR | SWEET DREAMS SWEET | 1968 |
4-44579 | A | SKITCH HENDERSON | THE GIRL THAT I MARRY | 1968 |
4-44579 | B | SKITCH HENDERSON | ALL ALONE | 1968 |
4-44580 | A | JOHNNY DUNCAN | TO MY SORROW | 1968 |
4-44580 | B | JOHNNY DUNCAN | I'M IN THIS TOWN FOR GOOD | 1968 |
4-44581 | A | ARLENE HARDEN | WHAT CAN I SAY | 1968 |
4-44581 | B | ARLENE HARDEN | LIKE YOU LOVE ME NOW | 1968 |
4-44582 | A | BARRY RICHARDS | LEAVING AGAIN / HAVE I TOLD YOU LATELY THAT I LOVE YOU | 1968 |
4-44582 | B | BARRY RICHARDS | I FORGOT MORE THAN YOU WILL EVER KNOW | 1968 |
4-44583 | A | GRACE SLICK AND THE GREAT SOCIETY | DIDN'T THINK SO | 1968 |
4-44583 | B | GRACE SLICK AND THE GREAT SOCIETY | SALLY GO 'ROUND THE ROSES | 1968 |
4-44584 | A | TONY BENNETT | HUSHABYE MOUNTAIN | 1968 |
4-44584 | B | TONY BENNETT | HI-HO | 1968 |
4-44585 | A | PERCY FAITH, HIS ORCHESTRA AND CHORUS | MACARTHUR PARK | 1968 |
4-44585 | B | PERCY FAITH, HIS ORCHESTRA AND CHORUS | ELVIRA'S THEME | 1968 |
4-44586 | A | ROSEMARY AND LITTLE ANDY | LULLABY FROM 'ROSEMARY'S BABY' (SLEEP SAFE AND WARM) | 1968 |
4-44586 | B | ROSEMARY | UNDISCOVERED ISLAND | 1968 |
4-44587 | A | CARL AND PEARL BUTLER | PUNISH ME TOMORROW | 1968 |
4-44587 | B | CARL AND PEARL BUTLER | GOODBYE TENNESSEE | 1968 |
4-44588 | A | PETE DUVAL | NASHVILLE REJECT | 1968 |
4-44588 | B | PETE DUVAL | SEVEN MILE BRIDGE | 1968 |
4-44589 | A | BOBBY BARNETT | LOVE ME, LOVE ME | 1968 |
4-44589 | B | BOBBY BARNETT | THE END OF LYIN' | 1968 |
4-44590 | A | THE AVANT-GARDE | NATURALLY STONED | 1968 |
4-44590 | B | THE AVANT-GARDE | HONEY AND GALL | 1968 |
4-44591 | A | JO ANN STEELE | DON'T MAKE ME GO TO SCHOOL | 1968 |
4-44591 | B | JO ANN STEELE | OVERHURT AND UNDERLOVED | 1968 |
4-44592 | A | LAURA NYRO | SAVE THE COUNTRY | 1968 |
4-44592 | B | LAURA NYRO | NEW YORK TENDABERRY | 1968 |
4-44593 | A | MORMON TABERNACLE CHOIR | BATTLE HYMN OF THE REPUBLIC | 1968 |
4-44593 | B | MORMON TABERNACLE CHOIR | ? | 1968 |
4-44594 | A | GORDON ALEXANDER | ONE REAL SPINS FREE | 1968 |
4-44594 | B | GORDON ALEXANDER | TOPANGA | 1968 |
4-44595 | A | LANCE RENTZEL | LOOKIN' LIKE SOMETHIN' THAT AIN'T | 1968 |
4-44595 | B | LANCE RENTZEL | BEYOND LOVE | 1968 |
4-44596 | A | KATE BRIGGS | ANOTHER WOMAN'S MAN | 1968 |
4-44596 | B | KATE BRIGGS | GREEN POWER | 1968 |
4-44597 | A | THE NEW LIME | DONNA | 1968 |
4-44597 | B | THE NEW LIME | THE GUMDROP TRILOGY | 1968 |
4-44598 | A | POZO SECO | GOTTA COME UP | 1968 |
4-44598 | B | POZO SECO | SOMETHING | 1968 |
4-44599 | A | THE CLANCY BROTHERS & TOMMY MAKEM | THE LOWLANDS LOW | 1968 |
4-44599 | B | THE CLANCY BROTHERS & TOMMY MAKEM | THE GOOD SHIP CALIBAR | 1968 |
4-44600 | A | ? | ||
4-44600 | B | ? | ||
4-44601 | A | ? | ||
4-44601 | B | ? | ||
4-44602 | A | WES BUCHANAN | WINDOWS HAVE PAINS | 1968 |
4-44602 | B | WES BUCHANAN | NO EXCUSE FOR LEAVING | 1968 |
4-44603 | A | TIM ROSE | LONG-HAIRED BOY | 1968 |
4-44603 | B | TIM ROSE | LOOKING AT A BABY | 1968 |
4-44604 | A | DON ELLIS | STAR CHILDREN | 1968 |
4-44604 | B | DON ELLIS | HOMECOMING | 1968 |
4-44605 | A | BILL WENDRY & THE BOSS TWEEDS | FIRE | 1968 |
4-44605 | B | BILL WENDRY & THE BOSS TWEEDS | A WRISTWATCH BAND | 1968 |
4-44606 | A | BURL IVES | FOLK SINGER | 1968 |
4-44606 | B | BURL IVES | ONE TOO MANY MORNINGS | 1968 |
4-44607 | A | THE MILLENNIUM | 5 A.M. | 1968 |
4-44607 | B | THE MILLENNIUM | PRELUDE | 1968 |
4-44608 | A | THE STATLER BROTHERS | SISSY | 1968 |
4-44608 | B | THE STATLER BROTHERS | I AM THE BOY | 1968 |
4-44609 | A | BOB DILEO | BAND IN BOSTON | 1968 |
4-44609 | B | BOB DILEO | RAHNI | 1968 |
4-44610 | A | ? | ||
4-44610 | B | ? | ||
4-44611 | A | ? | ||
4-44611 | B | ? | ||
4-44612 | A | SMOOTH LUNDVALL AND THE NEW HAPPINESS | ODE TO LARSEN WHIPSNADE | 1968 |
4-44612 | B | SMOOTH LUNDVALL AND THE NEW HAPPINESS | DEAR CHESTER | 1968 |
4-44613 | A | SAGITTARIUS | THE KEEPER OF THE GAMES | 1968 |
4-44613 | B | SAGITTARIUS | I'M NOT LIVING HERE | 1968 |
4-44614 | A | FRANCINE BARKER | DON'T YOU KNOW LOVE WHEN YOU SEE IT | 1968 |
4-44614 | B | FRANCINE BARKER | MR. D.J. | 1968 |
4-44615 | A | JERRY VALE | THAT GIRL WOULD BE SO PRETTY | 1968 |
4-44615 | B | JERRY VALE | TILL NOW | 1968 |
4-44616 | A | O.C. SMITH | LITTLE GREEN APPLES | 1968 |
4-44616 | B | O.C. SMITH | LONG BLACK LIMOUSINE | 1968 |
4-44617 | A | ? | ||
4-44617 | B | ? | ||
4-44618 | A | ROBERT GOULET | THIRTY DAYS HATH SEPTEMBER | 1968 |
4-44618 | B | ROBERT GOULET | A CHANCE TO LIVE IN CAMELOT | 1968 |
4-44619 | A | JERRY INMAN | LEAVES ARE THE TEARS OF AUTUMN | 1968 |
4-44619 | B | JERRY INMAN | TRAIN OF THOUGHT | 1968 |
4-44620 | A | CARL SMITH | THERE'S NO MORE LOVE | 1968 |
4-44620 | B | CARL SMITH | (REMEMBER ME) I'M THE ONE WHO LOVES YOU | 1968 |
4-44621 | A | BILLY MIZE | WALKIN' THROUGH THE MEMORIES OF MY MIND | 1968 |
4-44621 | B | BILLY MIZE | WIND (I'LL CATCH UP TO YOU) | 1968 |
4-44622 | A | BARBRA STREISAND | FUNNY GIRL | 1968 |
4-44622 | B | BARBRA STREISAND | I'D RATHER BE BLUE OVER YOU (THAN HAPPY WITH SOMEBODY ELSE) | 1968 |
4-44623 | A | FLATT & SCRUGGS | LIKE A ROLLING STONE | 1968 |
4-44623 | B | FLATT & SCRUGGS | I'D LIKE TO SAY A WORD FOR TEXAS | 1968 |
4-44624 | A | PAT LUNDY | MR. RAINMAKER | 1968 |
4-44624 | B | PAT LUNDY | THE COMPLETE MAN | 1968 |
4-44625 | A | STONEWALL JACKSON | ANGRY WORDS | 1968 |
4-44625 | B | STONEWALL JACKSON | RED ROSES BLOOMING BACK HOME | 1968 |
4-44626 | A | BIG BROTHER AND THE HOLDING COMPANY | PIECE OF MY HEART | 1968 |
4-44626 | B | BIG BROTHER AND THE HOLDING COMPANY | TURTLE BLUES | 1968 |
4-44627 | A | THINK | FASTER FASTER | 1968 |
4-44627 | B | THINK | STOP RUNNIN' AWAY | 1968 |
4-44628 | A | RAY PRICE | SHE WEARS MY RING | 1968 |
4-44628 | B | RAY PRICE | GOIN' AWAY | 1968 |
4-44629 | A | ? | ||
4-44629 | B | ? | ||
4-44630 | A | THE TYMES | PEOPLE | 1968 |
4-44630 | B | THE TYMES | FOR LOVE OF IVY | 1968 |
4-44631 | A | NEW CHRISTY MINSTRELS | CHITTY CHITTY BANG BANG | 1968 |
4-44631 | B | NEW CHRISTY MINSTRELS | ME OLD BAM-BOO | 1968 |
4-44632 | A | GENE AUTRY | BACK IN THE SADDLE AGAIN | 1968 |
4-44632 | B | GENE AUTRY | HOME ON THE RANGE | 1968 |
4-44633 | A | MARTY ROBBINS | WALK ALONE | 1968 |
4-44633 | B | MARTY ROBBINS | LILY OF THE VALLEY | 1968 |
4-44634 | A | JOHNNY SEAY | THREE SIX PACKS, TWO ARMS AND A JUKE BOX | 1968 |
4-44634 | B | JOHNNY SEAY | I LOVER HER FINE FOR A TIME | 1968 |
4-44635 | A | BO GENTRY & RITCHE CORDELL | LOVE IS HERE | 1968 |
4-44635 | B | BO GENTRY & RITCHE CORDELL | DAYLONG | 1968 |
4-44636 | A | RON WILSON | I'LL KEEP ON LOVING YOU | 1968 |
4-44636 | B | RON WILSON | AS TEARS GO BY | 1968 |
4-44637 | A | JOHNNY MATHIS | YOU MAKE ME THINK ABOUT YOU | 1968 |
4-44637 | B | JOHNNY MATHIS | NIGHT DREAMS | 1968 |
4-44638 | A | THE CRYAN' SHAMES | GREENBURG, GLICKSTEIN, CHARLES, DAVID SMITH AND JONES | 1968 |
4-44638 | B | THE CRYAN' SHAMES | THE WARM | 1968 |
4-44639 | A | ROBERT JOHN | DON'T LEAVE ME | 1968 |
4-44639 | B | ROBERT JOHN | CHILDREN | 1968 |
4-44640 | A | BOBBY SCOTT | STAR | 1968 |
4-44640 | B | BOBBY SCOTT | CLIMB EV'RY MOUNTAIN | 1968 |
4-44641 | A | MARTY ROBBINS | BIG MOUTHIN' AROUND | 1968 |
4-44641 | B | MARTY ROBBINS | IT FINALLY HAPPENED | 1968 |
4-44642 | A | CLAUDE KING | POWER OF YOUR SWEET LOVE | 1968 |
4-44642 | B | CLAUDE KING | BEERTOPS AND TEARDROPS | 1968 |
4-44643 | A | THE BYRDS | I AM A PILGRIM | 1968 |
4-44643 | B | THE BYRDS | PRETTY BOY FLOYD | 1968 |
4-44644 | A | GARY PUCKETT AND THE UNION GAP | OVER YOU | 1968 |
4-44644 | B | GARY PUCKETT AND THE UNION GAP | IF THE DAY WOULD COME | 1968 |
4-44645 | A | RAY CONNIFF AND THE SINGERS | LOOK HOMEWARD ANGEL | 1968 |
4-44645 | B | RAY CONNIFF AND THE SINGERS | PEOPLE | 1968 |
4-44646 | A | LOIS JOHNSON | ONE DRINK FARTHER AWAY | 1968 |
4-44646 | B | LOIS JOHNSON | PAYING DUES | 1968 |
4-44647 | A | JIMMY GATELEY | HEAVENLY SUNSHINE | 1968 |
4-44647 | B | JIMMY GATELEY | GONE GONE GONE | 1968 |
4-44648 | A | THE ROONEYS | WALTER WRIGHT | 1968 |
4-44648 | B | THE ROONEYS | PICTURE THIS | 1968 |
4-44649 | A | HAROLD LEE | BOYS KEPT HANGIN' AROUND | 1968 |
4-44649 | B | HAROLD LEE | MOTHER, BROTHER AND SWEET DARLIN' NOW | 1968 |
4-44650 | A | ANDY WILLIAMS WITH THE ST. CHARLES BORROMEO CHOIR | BATTLE HYMN OF THE REPUBLIC | 1968 |
4-44650 | B | ANDY WILLIAMS WITH THE ST. CHARLES BORROMEO CHOIR | AVE MARIA | 1968 |
4-44651 | A | THE JIMMY WISNER SOUND | INTERLUDE | 1968 |
4-44651 | B | THE JIMMY WISNER SOUND | LA PLAYA | 1968 |
4-44652 | A | MILES DAVIS | GIRLS OF KILIMANJARO, PART 1 | 1968 |
4-44652 | B | MILES DAVIS | GIRLS OF KILIMANJARO, PART 2 | 1968 |
4-44653 | A | MONGO SANTAMARIA | HOT DOG | 1968 |
4-44653 | B | MONGO SANTAMARIA | CHILI BEANS | 1968 |
4-44654 | A | ANITA BRYANT | LET THE HEARTACHES BEGIN | 1968 |
4-44654 | B | ANITA BRYANT | SISTER SARAH | 1968 |
4-44655 | A | PAUL REVERE AND THE RAIDERS FEATURING MARK LINDSAY | CINDERELLA SUNSHINE | 1968 |
4-44655 | B | PAUL REVERE AND THE RAIDERS FEATURING MARK LINDSAY | IT'S HAPPENING | 1968 |
4-44656 | A | JOHNNY DUNCAN & JUNE STEARNS | JACKSON AIN'T A VERY BIG TOWN | 1968 |
4-44656 | B | JOHNNY DUNCAN & JUNE STEARNS | TRUE AND LASTING KIND | 1968 |
4-44657 | A | AL KOOPER & STEVE STILLS | SEASON OF THE WITCH | 1968 |
4-44657 | B | AL KOOPER & STEVE STILLS | ALBERT'S SHUFFLE | 1968 |
4-44658 | A | ? | ||
4-44658 | B | ? | ||
4-44659 | A | ? | ||
4-44659 | B | ? | ||
4-44660 | A | CHAD AND JEREMY | YOU NEED FEET (YOU NEED HANDS) | 1968 |
4-44660 | B | CHAD AND JEREMY | PAXTON QUIGLEY'S HAD THE COURSE | 1968 |
4-44661 | A | JUDY LYNN | MOMMY HERE COMES THE JUDGE | 1968 |
4-44661 | B | JUDY LYNN | BRING THE WOMAN | 1968 |
4-44662 | A | JIMMY PETERS | SHE'S JUST YOU MADE OVER | 1968 |
4-44662 | B | JIMMY PETERS | JERICHO BROWN | 1968 |
4-44663 | A | SAMMI SMITH | SAND COVERED ANGELS | 1968 |
4-44663 | B | SAMMI SMITH | IT'S NOT TIME NOW | 1968 |
4-44664 | A | TOMMY COLLINS | HIGH ON A HILLTOP | 1968 |
4-44664 | B | TOMMY COLLINS | WOMAN YOU HAVE BEEN TOLD | 1968 |
4-44665 | A | ? | ||
4-44665 | B | ? | ||
4-44666 | A | PATTI PAGE | STAND BY YOUR MAN | 1968 |
4-44666 | B | PATTI PAGE | RED SUMMER ROSES | 1968 |
4-44667 | A | THE PEANUT BUTTER CONSPIRACY | I'M A FOOL | 1968 |
4-44667 | B | THE PEANUT BUTTER CONSPIRACY | IT'S SO HARD | 1968 |
4-44668 | A | DAVID ROGERS | YOU TOUCHED MY HEART | 1968 |
4-44668 | B | DAVID ROGERS | TODAY AND TOMORROW | 1968 |
4-44669 | A | CHARLIE BYRD | LULLABY FROM 'ROSEMARY'S BABY' | 1968 |
4-44669 | B | CHARLIE BYRD | HAPPY TOGETHER | 1968 |
4-44670 | A | JOE HARNELL | WORK, SUNNY, WORK | 1968 |
4-44670 | B | JOE HARNELL | SKY HAWK | 1968 |
4-44671 | A | JACK BEDIENT AND THE CHESSMEN | MY PRAYER | 1968 |
4-44671 | B | JACK BEDIENT AND THE CHESSMEN | INDEPENDENCE DAY | 1968 |
4-44672 | A | THE BUCKINGHAMS | WHERE DID YOU COME FROM | 1968 |
4-44672 | B | THE BUCKINGHAMS | SONG OF THE BREEZE | 1968 |
4-44673 | A | FLAVOR | HEART-TEASER | 1968 |
4-44673 | B | FLAVOR | YEA, I'M HIP | 1968 |
4-44674 | A | THE MILLENNIUM | THERE IS NOTHING MORE TO SAY | 1968 |
4-44674 | B | THE MILLENNIUM | TO CLAUDIA ON THURSDAY | 1968 |
4-44675 | A | THE HARDENS | WHO LOVES YOU | 1968 |
4-44675 | B | THE HARDENS | THIS IS WHERE YOU GET OFF | 1968 |
4-44676 | A | DON SHIRLEY | I'LL DROWN IN MY TEARS | 1968 |
4-44676 | B | DON SHIRLEY | GLORY BURDENS DOWN LORD | 1968 |
4-44677 | A | BILLY JOE ROYAL | GABRIEL | 1968 |
4-44677 | B | BILLY JOE ROYAL | MOVIES IN MY MIND | 1968 |
4-44678 | A | AL KOOPER & MIKE BLOOMFIELD | THE WEIGHT | 1968 |
4-44678 | B | AL KOOPER & MIKE BLOOMFIELD | MAN'S TEMPTATION | 1968 |
4-44679 | A | THE CHAMBERS BROTHERS | DO YOUR THING | 1968 |
4-44679 | B | THE CHAMBERS BROTHERS | I CAN'T TURN YOU LOOSE | 1968 |
4-44680 | A | LES & LARRY ELGART | SOUL CAKES | 1968 |
4-44680 | B | LES & LARRY ELGART | THE GARBAGE | 1968 |
4-44681 | A | THE FOURGONE CONCLUSION | DON'T TURN AWAY | 1968 |
4-44681 | B | THE FOURGONE CONCLUSION | I WON'T HANG ON TO YESTERDAYS | 1968 |
4-44682 | A | JOHN WESLEY RYLES | KAY | 1968 |
4-44682 | B | JOHN WESLEY RYLES | COME ON HOME AND SING THE BLUES TO DADDY | 1968 |
4-44683 | A | LILY AND MARIA | EVERYBODY KNOWS | 1968 |
4-44683 | B | LILY AND MARIA | MORNING GLORY MORNING | 1968 |
4-44684 | A | TOMMY HUNTER | NOWHERE BOUND WITH GREYHOUND | 1968 |
4-44684 | B | TOMMY HUNTER | I CAN'T FIND A SPACE | 1968 |
4-44685 | A | ? | ||
4-44685 | B | ? | ||
4-44686 | A | WES BUCHANAN | WARM RED WINE | 1968 |
4-44686 | B | WES BUCHANAN | LETTING ME DOWN | 1968 |
4-44687 | A | JERRY VALE | THERE'S A BABY | 1968 |
4-44687 | B | JERRY VALE | WHERE ARE THEY NOW | 1968 |
4-44688 | A | TONY BENNETT | MY FAVORITE THINGS | 1968 |
4-44688 | B | TONY BENNETT | WHERE IS LOVE | 1968 |
4-44689 | A | JOHNNY CASH | DADDY SANG BASS | 1968 |
4-44689 | B | JOHNNY CASH | HE TURNED THE WATER INTO WINE | 1968 |
4-44690 | A | POZO SECO | REMEMBER SUSIE | 1968 |
4-44690 | B | POZO SECO | GOOD MORNING TODAY | 1968 |
4-44691 | A | DAN ELLIOT | AND I HEARD HIM SAY | 1968 |
4-44691 | B | DAN ELLIOT | HELLO SORROW | 1968 |
4-44692 | A | LEFTY FRIZZELL | KEEP THEM FLOWERS WATERED | 1968 |
4-44692 | B | LEFTY FRIZZELL | WASTED DAY OF LIFE | 1968 |
4-44693 | A | JOHNNY DUNCAN | I LIKE TO LOVE YOU | 1968 |
4-44693 | B | JOHNNY DUNCAN | LOUISVILLE NASHVILLE SOUTHBOUND TRAIN | 1968 |
4-44694 | A | CARL AND PEARL BUTLER | I NEVER GOT OVER YOU | 1968 |
4-44694 | B | CARL AND PEARL BUTLER | I STARTED LOVING YOU AGAIN | 1968 |
4-44695 | A | JUNE STEARNS | WALKING MIDNIGHT ROAD | 1968 |
4-44695 | B | JUNE STEARNS | PLASTIC SADDLE | 1968 |
4-44696 | A | TAJ MAHAL | YOU DON'T MISS YOUR WATER ('TIL YOUR WELL RUNS DRY) | 1968 |
4-44696 | B | TAJ MAHAL | GOING UP TO THE COUNTRY, PAINT MY MAILBOX BLUE | 1968 |
4-44697 | A | ROBERT JOHN | CAN'T STOP LOVING YOU | 1968 |
4-44697 | B | ROBERT JOHN | THIRTEEN TIMES | 1968 |
4-44698 | A | MICHELE LEE | KNOWING WHEN TO LEAVE | 1968 |
4-44698 | B | MICHELE LEE | THE LOOK OF LOVE | 1968 |
4-44699 | A | ? | ||
4-44699 | B | ? | ||
4-44700 | A | ? | ||
4-44700 | B | ? | ||
4-44701 | A | AVANT GARDE | FLY WITH ME | 1968 |
4-44701 | B | AVANT GARDE | REVELATION'S REVOLUTIONS | 1968 |
4-44702 | A | CARL SMITH | FADED LOVE AND WINTER ROSES | 1968 |
4-44702 | B | CARL SMITH | UNTIL I LOOKED AT YOU | 1968 |
4-44703 | A | GARRY BONNER | THE SADDEST BANK HOLDUP CULVER CITY EVER HAD | 1968 |
4-44703 | B | GARRY BONNER | JUG OF WINE | 1968 |
4-44704 | A | BARBRA STREISAND | MY MAN | 1968 |
4-44704 | B | BARBRA STREISAND | DON'T RAIN ON MY PARADE | 1968 |
4-44705 | A | O.C. SMITH | ISN'T IT LONELY TOGETHER | 1968 |
4-44705 | B | O.C. SMITH | I AIN'T THE WORRYIN' KIND | 1968 |
4-44706 | A | ROBERT JOHN | OOH BABY BABY | 1968 |
4-44706 | B | ROBERT JOHN | CHILDREN | 1968 |
4-44707 | A | ? | ||
4-44707 | B | ? | ||
4-44708 | A | WALLY GOLD CHARISMA SINGERS | THE ISLE OF SKORPIOS | 1968 |
4-44708 | B | WALLY GOLD CHARISMA SINGERS | LIFE IS | 1968 |
4-44709 | A | ANDY WILLIAMS | IT'S THE MOST WONDERFUL TIME OF THE YEAR | 1968 |
4-44709 | B | ANDY WILLIAMS | THE CHRISTMAS SONG (CHESTNUTS ROASTING ON AN OPEN FIRE) | 1968 |
4-44710 | A | ROBERT GOULET | HURRY HOME FOR CHRISTMAS | 1968 |
4-44710 | B | ROBERT GOULET | WONDERFUL WORLD OF CHRISTMAS | 1968 |
4-44711 | A | BURL IVES | SANTA MOUSE | 1968 |
4-44711 | B | BURL IVES | OH WHAT A LUCKY BOY AM I | 1968 |
4-44712 | A | THE LATIN DIMENSION FEATURING JIMMY MAEULEN | HURT SO BAD | 1968 |
4-44712 | B | THE LATIN DIMENSION FEATURING JIMMY MAEULEN | DON'T TOUCH ME | 1968 |
4-44713 | A | CORKY HALE | CHRISTMAS DAY | 1968 |
4-44713 | B | CORKY HALE | TWINKY | 1968 |
4-44714 | A | CATHIE TAYLOR | HABIT I CAN'T BREAK | 1968 |
4-44714 | B | CATHIE TAYLOR | IT'S LONG DROP FROM A DREAM | 1968 |
4-44715 | A | ? | ||
4-44715 | B | ? | ||
4-44716 | A | BOBBY BARNETT | YOUR SWEET LOVE LIFTED ME | 1968 |
4-44716 | B | BOBBY BARNETT | YOU'LL FLY AWAY | 1968 |
4-44717 | A | JOHNNY SEAY | A POOR BOY JUST TRYING TO GET ALONG | 1968 |
4-44717 | B | JOHNNY SEAY | I'VE LEARNED A LOT TODAY | 1968 |
4-44718 | A | DONALD WILSON | FIND SOMEBODY | 1968 |
4-44718 | B | DONALD WILSON | SUNSHINE | 1968 |
4-44719 | A | DION AND THE WANDERERS | I CAN'T HELP BUT WONDER WHERE I'M BOUND | 1968 |
4-44719 | B | DION | SOUTHERN TRAIN | 1968 |
4-44720 | A | ED SULLIVAN PRESENTS MUSIC OF CHRISTMAS | JINGLE BELLS | 1968 |
4-44720 | B | ED SULLIVAN PRESENTS MUSIC OF CHRISTMAS | GOOD KING WENCESLAS | 1968 |
4-44721 | A | JOHN BARRY | THE LION IN WINTER | 1968 |
4-44721 | B | JOHN BARRY | TO ROME | 1968 |
4-44722 | A | GARY SCRUGGS | HOUSE OF THE RISING SUN | 1968 |
4-44722 | B | GARY SCRUGGS | JUST A FRIEND | 1968 |
4-44723 | A | CARL PERKINS | RESTLESS | 1968 |
4-44723 | B | CARL PERKINS | 11-43 | 1968 |
4-44724 | A | RAY CONNIFF | DEAR WORLD | 1968 |
4-44724 | B | RAY CONNIFF | I'VE GOT MY EYES ON YOU | 1968 |
4-44725 | A | LOIS JOHNSON | SOFTLY AND TENDERLY | 1968 |
4-44725 | B | LOIS JOHNSON | GOIN' DOWN | 1968 |
4-44726 | A | STONEWALL JACKSON | SOMEBODY'S ALWAYS LEAVING | 1968 |
4-44726 | B | STONEWALL JACKSON | RECESS TIME | 1968 |
4-44727 | A | THE JIMMY WISNER SOUND | A TIME FOR US | 1968 |
4-44727 | B | THE JIMMY WISNER SOUND | LOOK TO THE RAINBOW | 1968 |
4-44728 | A | JOHNNY MATHIS | THE END OF THE WORLD | 1968 |
4-44728 | B | JOHNNY MATHIS | THE 59TH STREET BRIDGE SONG (FEELIN' GROOVY) | 1968 |
4-44729 | A | JOHN SIMON | MY NAME IS JACK | 1968 |
4-44729 | B | JOHN SIMON | THE WABE | 1968 |
4-44730 | A | FRANK OWENS | OLIVER | 1968 |
4-44730 | B | FRANK OWENS | AS LONG AS HE NEEDS ME | 1968 |
4-44731 | A | FLATT & SCRUGGS | I'LL BE YOUR BABY TONIGHT | 1968 |
4-44731 | B | FLATT & SCRUGGS | UNIVERSAL SOLDIER | 1968 |
4-44732 | A | BOBBY SCOTT | DON'T PAY THEM NO MIND | 1968 |
4-44732 | B | BOBBY SCOTT | GIVE ME TOMORROW | 1968 |
4-44733 | A | JOEL GREY | JENNIFER JUNIPER | 1968 |
4-44733 | B | JOEL GREY | BLACK SHEEP BOY | 1968 |
4-44734 | A | PERCY FAITH, HIS ORCHESTRA AND CHORUS | ZORBA | 1968 |
4-44734 | B | PERCY FAITH, HIS ORCHESTRA AND CHORUS | A QUIET DAY | 1968 |
4-44735 | A | CALIFORNIA | A LITTLE BIT OF FAITH | 1968 |
4-44735 | B | CALIFORNIA | I SEE A RAINBOW | 1968 |
4-44736 | A | CHIP TAYLOR | IT'S SUCH A LONELY TIME OF YEAR | 1968 |
4-44736 | B | CHIP TAYLOR | IT'S SUCH A LONELY TIME OF YEAR (PART II) | 1968 |
4-44737 | A | ELOISE LAWS | I'D DO IT ALL AGAIN | 1968 |
4-44737 | B | ELOISE LAWS | TO KNOW HIM IS TO LOVE HIM | 1968 |
4-44738 | A | LEFTY FRIZZELL | ARTICLE FROM LIFE | 1969 |
4-44738 | B | LEFTY FRIZZELL | ONLY WAY TO FLY | 1969 |
4-44739 | A | MARTY ROBBINS | IT'S A SIN | 1969 |
4-44739 | B | MARTY ROBBINS | I FEEL ANOTHER HEARTBREAK COMING ON | 1969 |
4-44740 | A | MONGO SANTAMARIA | SON-OF-A-PREACHER MAN | 1969 |
4-44740 | B | MONGO SANTAMARIA | CLOUND NINE | 1969 |
4-44741 | A | SPIRAL STARECASE | MORE TODAY THAN YESTERDAY | 1969 |
4-44741 | B | SPIRAL STARECASE | BROKEN-HEARTED MAN | 1969 |
4-44742 | A | JIMMY WALKER | THE GREATEST LOVE | 1969 |
4-44742 | B | JIMMY WALKER | DAWN (GO AWAY) | 1969 |
4-44743 | A | BILLY JOE ROYAL | BED OF ROSES | 1969 |
4-44743 | B | BILLY JOE ROYAL | THE GREATEST LOVE | 1969 |
4-44744 | A | PAUL REVERE AND THE RAIDERS FEATURING MARK LINDSAY | MR. SUN, MR. MOON | 1969 |
4-44744 | B | PAUL REVERE AND THE RAIDERS FEATURING MARK LINDSAY | WITHOUT YOU | 1969 |
4-44745 | A | RONNIE BUSKIRK | I JUST CAN'T HELP BELIEVIN' | 1969 |
4-44745 | B | RONNIE BUSKIRK | IT'S GETTING BETTER | 1969 |
4-44746 | A | THE BYRDS | DRUG STORE TRUCK DRIVIN' MAN | 1969 |
4-44746 | B | THE BYRDS | BAD NIGHT AT THE WHISKEY | 1969 |
4-44747 | A | RAY PRICE | SET ME FREE | 1969 |
4-44747 | B | RAY PRICE | TROUBLE | 1969 |
4-44748 | A | AL KOOPER | YOU NEVER KNOW WHO YOUR FRIENDS ARE | 1969 |
4-44748 | B | AL KOOPER | SOFT LANDING | 1969 |
4-44749 | A | CLAUDE KING | SWEET LOVE OF MY MIND | 1969 |
4-44749 | B | CLAUDE KING | FOUR ROSES | 1969 |
4-44750 | A | CHRIS CROSBY | ATLANTA GEORGIA STRAY | 1969 |
4-44750 | B | CHRIS CROSBY | IF THAT'S THE WAY YOU FEEL | 1969 |
4-44751 | A | O.C. SMITH | HONEY (I MISS YOU) | 1969 |
4-44751 | B | O.C. SMITH | KEEP ON KEEPIN' ON | 1969 |
4-44752 | A | JOHNNY DUNCAN & JUNE STEARNS | BACK TO BACK (WE'RE STRANGERS) | 1969 |
4-44752 | B | JOHNNY DUNCAN & JUNE STEARNS | IF THAT'S THE ONLY WAY | 1969 |
4-44753 | A | JERRY VALE | LIFE | 1969 |
4-44753 | B | JERRY VALE | CONGRATULATIONS, I GUESS | 1969 |
4-44754 | A | ROBERT GOULET | I'LL CATCH THE SUN | 1969 |
4-44754 | B | ROBERT GOULET | WAIT FOR ME | 1969 |
4-44755 | A | TONY BENNETT | PEOPLE | 1969 |
4-44755 | B | TONY BENNETT | THEY ALL LAUGHED | 1969 |
4-44756 | A | HERSCHEL BERNARDI | ONLY LOVE | 1969 |
4-44756 | B | HERSCHEL BERNARDI | ZORBA THEME (LIFE IS) | 1969 |
4-44757 | A | RON DAWSON | IF BABY'S STILL ON MY MIND | 1969 |
4-44757 | B | RON DAWSON | THE DARK SIDE OF LOVIN' YOU | 1969 |
4-44758 | A | CARL BELEW | MOVE OVER | 1969 |
4-44758 | B | CARL BELEW | GET BEHIND LIFE | 1969 |
4-44759 | A | THE CRYAN' SHAMES | FIRST TRAIN TO CALIFORNIA | 1969 |
4-44759 | B | THE CRYAN' SHAMES | A MASTER'S FOOL | 1969 |
4-44760 | A | WES BUCHANAN | A HEEL THAT THAT TIME WILL WOUND | 1969 |
4-44760 | B | WES BUCHANAN | WORKING MY WAY THROUGH A HEARTACHE | 1969 |
4-44761 | A | RAY PRICE | SWEETHEART OF THE YEAR | 1969 |
4-44761 | B | RAY PRICE | HOW CAN I WRITE ON THE PAPER | 1969 |
4-44762 | A | JIMMY EARL | STRATEGY | 1969 |
4-44762 | B | JIMMY EARL | I'LL NEVER FORGET YOU | 1969 |
4-44763 | A | MICHAEL GATELY | SHINE YOUR LIGHT ON ME | 1969 |
4-44763 | B | MICHAEL GATELY | DARLIN' | 1969 |
4-44764 | A | THE BANJO BARONS | JUBILEE JOE | 1969 |
4-44764 | B | THE BANJO BARONS | MOMMA LOOK SHARP | 1969 |
4-44765 | A | THE ELECTRIC FLAG | SUNNY | 1969 |
4-44765 | B | THE ELECTRIC FLAG | SOUL SEARCHIN' | 1969 |
4-44766 | A | THE CLINGERS | GONNA HAVE A GOOD TIME | 1969 |
4-44766 | B | THE CLINGERS | AND NOW YOU KNOW ME | 1969 |
4-44767 | A | TAJ MAHAL | CORINNA | 1969 |
4-44767 | B | TAJ MAHAL | AIN'T THAT A LOT OF LOVE | 1969 |
4-44768 | A | BETTY WALKER | GUESS WHO IS GETTING MARRIED | 1969 |
4-44768 | B | BETTY WALKER | HUM-HUM-HUM | 1969 |
4-44769 | A | THE SPARROW | SQUARE HEADED PEOPLE | 1969 |
4-44769 | B | THE SPARROW | TWISTED | 1969 |
4-44770 | A | JOHN DAVIDSON | WORDS | 1969 |
4-44770 | B | JOHN DAVIDSON | THE WONDER OF YOU | 1969 |
4-44771 | A | ? | ||
4-44771 | B | ? | ||
4-44772 | A | MARS BONFIRE | FASTER THAT THE SPEED OF LIFE | 1969 |
4-44772 | B | MARS BONFIRE | SHE | 1969 |
4-44773 | A | PAT LUNDY | CITY OF STONE | 1969 |
4-44773 | B | PAT LUNDY | THE THRILL IS GONE | 1969 |
4-44774 | A | JERRY INMAN | MISSISSIPPI WOMAN | 1969 |
4-44774 | B | JERRY INMAN | ONE IF FOR HIM, TWO IF FOR ME | 1969 |
4-44775 | A | BARBRA STREISAND | FRANK MILLS | 1969 |
4-44775 | B | BARBRA STREISAND | PUNKY'S DILEMMA | 1969 |
4-44776 | A | BLOOD, SWEAT & TEARS | YOU'VE MADE ME SO VERY HAPPY | 1969 |
4-44776 | B | BLOOD, SWEAT & TEARS | BLUES – PART II | 1969 |
4-44777 | A | SKITCH HENDERSON | LOVE IS ALL YOU REALLY WANT | 1969 |
4-44777 | B | SKITCH HENDERSON | SUZANNE | 1969 |
4-44778 | A | PATTI PAGE | A MIGHTY FORTRESS IS OUR LOVE | 1969 |
4-44778 | B | PATTI PAGE | THE LOVE SONG | 1969 |
4-44779 | A | THE CHAMBERS BROTHERS | YOU GOT THE POWER TO TURN ME ON | 1969 |
4-44779 | B | THE CHAMBERS BROTHERS | ARE YOU READY | 1969 |
4-44780 | A | THELONIOUS SPHERE MONK | JUST A GLACE AT LOVE | 1969 |
4-44780 | B | THELONIOUS SPHERE MONK | CONSECUTIVE SECONDS | 1969 |
4-44781 | A | IDY LYNN | CHILDREN OF THE FLOWER SONG | 1969 |
4-44781 | B | IDY LYNN | UP IN MY MIND | 1969 |
4-44782 | A | JOHN WESLEY RYLES | KAY | 1969 |
4-44782 | B | JOHN WESLEY RYLES | COME ON HOME | 1969 |
4-44783 | A | ARLENE HARDEN | TOO MUCH OF A MAN | 1969 |
4-44783 | B | ARLENE HARDEN | WHEN TRUE LOVE WALKS IN | 1969 |
4-44784 | A | ? | ||
4-44784 | B | ? | ||
4-44785 | A | SIMON AND GARFUNKEL | THE BOXER | 1969 |
4-44785 | B | SIMON AND GARFUNKEL | BABY DRIVER | 1969 |
4-44786 | A | LAURA NYRO | LU | 1969 |
4-44786 | B | LAURA NYRO | ONCE IT WAS ALRIGHT | 1969 |
4-44787 | A | ANGELA LANSBURY AND COMPANY | ONE PERSON | 1969 |
4-44787 | B | ANGELA LANSBURY | I DON'T WANT TO KNOW | 1969 |
4-44788 | A | GARY PUCKETT AND THE UNION GAP | DON'T GIVE IN TO HIM | 1969 |
4-44788 | B | GARY PUCKETT AND THE UNION GAP | COULD I | 1969 |
4-44789 | A | MOBY GRAPE | TRUCKING MAN | 1969 |
4-44789 | B | MOBY GRAPE | IF YOU CAN'T LEARN FROM MY MISTAKES | 1969 |
4-44790 | A | THE BUCKINGHAMS | THIS IS HOW MUCH I LOVE YOU | 1969 |
4-44790 | B | THE BUCKINGHAMS | CAN'T FIND THE WORDS | 1969 |
4-44791 | A | THE DON MEEHAN PROJECT | HOUSE IN THE COUNTRY | 1969 |
4-44791 | B | THE DON MEEHAN PROJECT | LOVE CITY | 1969 |
4-44792 | A | TIM ROSE | ANGELA | 1969 |
4-44792 | B | TIM ROSE | WHATCHA GONNA DO | 1969 |
4-44793 | A | ROLY DANIELS | LOVE IS A SYMPHONY | 1969 |
4-44793 | B | ROLY DANIELS | ANOTHER TEARDROP | 1969 |
4-44794 | A | JUDY LYNN | WHAT'S A HONKY TONK WOMAN | 1969 |
4-44794 | B | JUDY LYNN | BULL BY THE TAIL | 1969 |
4-44795 | A | JUNE STEARNS | SOME OF THESE DAYS | 1969 |
4-44795 | B | JUNE STEARNS | NO GOOD MAN | 1969 |
4-44796 | A | DAVID ROGERS | THE LITTLE WHITE CLOUD THAT CRIED | 1969 |
4-44796 | B | DAVID ROGERS | DEARLY BELOVED | 1969 |
4-44797 | A | BARBARA FAIRCHILD | LOVE IS A GENTLE THING | 1969 |
4-44797 | B | BARBARA FAIRCHILD | YOU CAN'T STOP MY HEART FROM BREAKING | 1969 |
4-44798 | A | RED SKELTON | THE PLEDGE OF ALLEGIENCE | 1969 |
4-44798 | B | RED SKELTON | THE CIRCUS | 1969 |
4-44799 | A | THE TYMES | THE LOVE THAT YOU'RE LOOKING FOR (AIN'T GONNA FIND IT HERE) | 1969 |
4-44799 | B | THE TYMES | GOD BLESS THE CHILD | 1969 |
4-44800 | A | FREDDY WELLER | GAMES PEOPLE PLAY | 1969 |
4-44800 | B | FREDDY WELLER | HOME | 1969 |
4-44801 | A | DON ELLIS AND HIS ORCHESTRA | ELI'S COMIN | 1969 |
4-44801 | B | DON ELLIS AND HIS ORCHESTRA | CHILD OF ECSTASY | 1969 |
4-44802 | A | ? | ||
4-44802 | B | ? | ||
4-44803 | A | WALTER CARLOS ASSISTED BY BENJAMIN FOLKMANN | BRANDENBURG CONCERTO NO. 3 IN G MAJOR, FIRST MOVEMENT | 1969 |
4-44803 | B | WALTER CARLOS ASSISTED BY BENJAMIN FOLKMANN | TWO-PART INVENTION IN F MINOR | 1969 |
4-44804 | A | GILBERT PRICE | COME SUMMER | 1969 |
4-44804 | B | GILBERT PRICE | WHERE IS LOVE | 1969 |
4-44805 | A | JOHNNY SEAY | EVERYBODY'S FRIEND | 1969 |
4-44805 | B | JOHNNY SEAY | CRYIN' GREY TOMBSTONE | 1969 |
4-44806 | A | MAN | SISTER SALVATION | 1969 |
4-44806 | B | MAN | SLEEPY EYES AND BUTTERFLIES | 1969 |
4-44807 | A | KARON RONDELL | I'VE BEEN DOWN | 1969 |
4-44807 | B | KARON RONDELL | YOU DON'T NEED ME FOR ANYTHING ANYMORE | 1969 |
4-44808 | A | JACK GOLD | IT HURTS TO SAY GOODBYE | 1969 |
4-44808 | B | JACK GOLD | TOGETHER | 1969 |
4-44809 | A | JERRY NAYLOR | THE CHOKIN' KIND | 1969 |
4-44809 | B | JERRY NAYLOR | HELGA | 1969 |
4-44810 | A | HOYT AXTON | SNOWBLIND FRIEND | 1969 |
4-44810 | B | HOYT AXTON | IT'S ALL RIGHT NOW | 1969 |
4-44811 | A | AL KOOPER | HEY, WESTERN UNION MAN | 1969 |
4-44811 | B | AL KOOPER | I STAND ALONE | 1969 |
4-44812 | A | MONGO SANTAMARIA | THE NOW GENERATION | 1969 |
4-44812 | B | MONGO SANTAMARIA | WHERE WE ARE | 1969 |
4-44813 | A | JAMES ROYAL | HOUSE OF JACK | 1969 |
4-44813 | B | JAMES ROYAL | WHICH WAY TO NOWHERE | 1969 |
4-44814 | A | BILLY JOE ROYAL | NOBODY LOVES YOU BUT ME | 1969 |
4-44814 | B | BILLY JOE ROYAL | BABY, I'M THINKING OF YOU | 1969 |
4-44815 | A | DEBBIE LORI KAYE | BABY'S COME HOME | 1969 |
4-44815 | B | DEBBIE LORI KAYE | IT'S ONLY A DAYDREAM | 1969 |
4-44816 | A | CARL SMITH | NEVER GONNA CRY NO MORE | 1969 |
4-44816 | B | CARL SMITH | GOOD DEAL, LUCILLE | 1969 |
4-44817 | A | ? | ||
4-44817 | B | ? | ||
4-44818 | A | ANDY WILLIAMS | HAPPY HEART | 1969 |
4-44818 | B | ANDY WILLIAMS | OUR LAST GOODBYE | 1969 |
4-44819 | A | JOHN WESLEY RYLES | A MIGHTY FORTRESS IS OUR LOVE | 1969 |
4-44819 | B | JOHN WESLEY RYLES | HEAVEN BELOW | 1969 |
4-44820 | A | NANCY MARANO | KEEP YOUR HANDS OFF MY BABY | 1969 |
4-44820 | B | NANCY MARANO | FACES | 1969 |
4-44821 | A | THE EDDY JACOBS EXCHANGE | PULL MY COAT | 1969 |
4-44821 | B | THE EDDY JACOBS EXCHANGE | BLACK IS BLACK | 1969 |
4-44822 | A | DONALD WILSON | ABRAHAM, MARTIN AND JOHN | 1969 |
4-44822 | B | DONALD WILSON | LEAN ON ME | 1969 |
4-44823 | A | JERRY VALE | FA, FA, FA (LIVE FOR TODAY) | 1969 |
4-44823 | B | JERRY VALE | CLOSE TO CATHY | 1969 |
4-44824 | A | TONY BENNETT | A PLACE OVER THE SUN | 1969 |
4-44824 | B | TONY BENNETT | WHOEVER YOU ARE, I LOVE YOU | 1969 |
4-44825 | A | BILL WENDRY & THE BOSS TWEEDS | TRYIN' TO GET TO YOU | 1969 |
4-44825 | B | BILL WENDRY & THE BOSS TWEEDS | WHEN HE'S COME | 1969 |
4-44826 | A | BOB DYLAN | I THREW IT ALL AWAY | 1969 |
4-44826 | B | BOB DYLAN | DRIFTER'S ESCAPE | 1969 |
4-44827 | A | LEONARD COHEN | BIRD ON A WIRE | 1969 |
4-44827 | B | LEONARD COHEN | SEEMS SO LONG AGO, NANCY | 1969 |
4-44828 | A | ? | ||
4-44828 | B | ? | ||
4-44829 | A | BERNARD 'PRETTY' PURDY | FICKLE FINGER OF FATE | 1969 |
4-44829 | B | BERNARD 'PRETTY' PURDY | GENUINE JOHN | 1969 |
4-44830 | A | LOIS JOHNSON | MAMA WAS HIS LOVE WORTH LEAVING ME | 1969 |
4-44830 | B | LOIS JOHNSON | YOU CAN'T STOP MY HEART FROM BREAKING | 1969 |
4-44831 | A | ZUCKERMAN'S DREAM | THE REVOLUTION'S OVER | 1969 |
4-44831 | B | ZUCKERMAN'S DREAM | LOVE IS SUCH AN EASY WORD TO SAY | 1969 |
4-44832 | A | THE BROTHERS FOUR | SKIP A ROPE | 1969 |
4-44832 | B | THE BROTHERS FOUR | LAST NIGHT I HAD THE STRANGEST DREAM | 1969 |
4-44833 | A | CLAUDE KING | ALL FOR THE LOVE OF A GIRL | 1969 |
4-44833 | B | CLAUDE KING | I REMEMBER JOHNNY | 1969 |
4-44834 | A | DAVE BRUBECK QUARTET | BROKE BLUES | 1969 |
4-44834 | B | DAVE BRUBECK QUARTET | BLUES ROOTS | 1969 |
4-44835 | A | MICHELE LEE | YOU'LL REMEMBER ME | 1969 |
4-44835 | B | MICHELE LEE | IT'S A LONG LONG WAY TO FALL | 1969 |
4-44836 | A | RONNY BUSKIRK | WHERE'S THE PLAYGROUND, SUSIE | 1969 |
4-44836 | B | RONNY BUSKIRK | IT'S GETTING BETTER | 1969 |
4-44837 | A | JOHNNY MATHIS | I'LL NEVER FALL IN LOVE AGAIN | 1969 |
4-44837 | B | JOHNNY MATHIS | WHOEVER YOU ARE, I LOVE YOU | 1969 |
4-44838 | A | JON PAUL | YOU'RE MY WORLD | 1969 |
4-44838 | B | JON PAUL | PORTRAIT OF MY LOVE | 1969 |
4-44839 | A | ? | ||
4-44839 | B | ? | ||
4-44840 | A | BO GENTRY & RITCHE CORDELL | STONE GO-GETTER | 1969 |
4-44840 | B | BO GENTRY & RITCHE CORDELL | HUNG UP | 1969 |
4-44841 | A | POZO SECO | CREOLE WOMAN | 1969 |
4-44841 | B | POZO SECO | LEAVIN' | 1969 |
4-44842 | A | JACKIE THOMPSON | DADDY SANG BASS | 1969 |
4-44842 | B | JACKIE THOMPSON | HAD TO HIT THE WIND | 1969 |
4-44843 | A | HERSCHEL BERNARDI | MARRY ME! MARRY ME! | 1969 |
4-44843 | B | HERSCHEL BERNARDI | SOMETHING SIMPLE | 1969 |
4-44844 | A | SOFT SUMMER SOUL STRINGS | I'M DOING MY THING | 1969 |
4-44844 | B | SOFT SUMMER SOUL STRINGS | THEME FOR SOUL STRINGS | 1969 |
4-44845 | A | JOYCE WEBB | I DON'T WANNA BE LEFT OUTSIDE | 1969 |
4-44845 | B | JOYCE WEBB | TEARS TO US | 1969 |
4-44846 | A | PETER NERO | SOULFUL STRUT | 1969 |
4-44846 | B | PETER NERO | FOR ONCE IN MY LIFE | 1969 |
4-44847 | A | ROBERT GOULET | DIDN'T WE | 1969 |
4-44847 | B | ROBERT GOULET | BON SOIR DAME | 1969 |
4-44848 | A | THINK | CALIFORNIA (IS GETTING SO HEAVY) | 1969 |
4-44848 | B | THINK | IT'S A GOOD THING | 1969 |
4-44849 | A | TIM ROSE | ROANOKE | 1969 |
4-44849 | B | TIM ROSE | BABE DO YOU TURN ME ON | 1969 |
4-44850 | A | HOYT AXTON | WAY BEFORE THE TIME OF TOWNS | 1969 |
4-44850 | B | HOYT AXTON | IT'S ALL RIGHT NOW | 1969 |
4-44851 | A | ARETHA FRANKLIN | FRIENDLY PERSUASION | 1969 |
4-44851 | B | ARETHA FRANKLIN | JIM | 1969 |
4-44852 | A | JUNE STEARNS | WHAT MAKES YOU SO DIFFERENT | 1969 |
4-44852 | B | JUNE STEARNS | TROUBLE IN MIND | 1969 |
4-44853 | A | KEITH ALLISON | BIRDS OF A FEATHER | 1969 |
4-44853 | B | KEITH ALLISON | TO KNOW HER IS TO LOVE HER | 1969 |
4-44854 | A | PAUL REVERE AND THE RAIDERS FEATURING MARK LINDSAY | LET ME | 1969 |
4-44854 | B | PAUL REVERE AND THE RAIDERS FEATURING MARK LINDSAY | I DON'T KNOW | 1969 |
4-44855 | A | TONY BENNETT | PLAY IT AGAIN, SAM | 1969 |
4-44855 | B | TONY BENNETT | WHAT THE WORLD NEEDS NOW IS LOVE | 1969 |
4-44856 | A | JACOBS CREEK | WHAT YOU HEAR | 1969 |
4-44856 | B | JACOBS CREEK | A LOVE SONG | 1969 |
4-44857 | A | JOHN HILL | I'M A BEAR | 1969 |
4-44857 | B | JOHN HILL | ? | 1969 |
4-44858 | A | BOB DILEO | JUST CAN'T HELP BELIEVIN' | 1969 |
4-44858 | B | BOB DILEO | JESSICA | 1969 |
4-44859 | A | O.C. SMITH | FRIEND, LOVER, WOMAN, WIFE | 1969 |
4-44859 | B | O.C. SMITH | I TAUGHT HER EVERYTHING SHE KNOWS | 1969 |
4-44860 | A | JIM ALLEY | RACHEL | 1969 |
4-44860 | B | JIM ALLEY | JILL | 1969 |
4-44861 | A | BOBBY BARNETT | DRINK CANADA DRY | 1969 |
4-44861 | B | BOBBY BARNETT | IMAGE ON YOUR MIND | 1969 |
4-44862 | A | CARL AND PEARL BUTLER | WE'LL SWEEP OUT THE ASHES IN THE MORNING | 1969 |
4-44862 | B | CARL AND PEARL BUTLER | YOUR WAY OF LIFE | 1969 |
4-44863 | A | STONEWALL JACKSON | NEVER MORE QUOTE TO RAVEN | 1969 |
4-44863 | B | STONEWALL JACKSON | MANY LIES I CAN TELL | 1969 |
4-44864 | A | JOHNNY DUNCAN | WHEN SHE TOUCHES ME | 1969 |
4-44864 | B | JOHNNY DUNCAN | SHREVEPORT TO L.A. | 1969 |
4-44865 | A | NRBQ | STOMP | 1969 |
4-44865 | B | NRBQ | I DON'T KNOW MYSELF | 1969 |
4-44866 | A | STONY BROOK PEOPLE | EASY TO BE HARD | 1969 |
4-44866 | B | STONY BROOK PEOPLE | THERE'S TOMORROW | 1969 |
4-44867 | A | BILL BLACK'S COMBO | BUT IT'S ALRIGHT | 1969 |
4-44867 | B | BILL BLACK'S COMBO | SLOW ACTION | 1969 |
4-44868 | A | THE BYRDS | LAY LADY LAY | 1969 |
4-44868 | B | THE BYRDS | OLD BLUE | 1969 |
4-44869 | A | SKITCH HENDERSON | HONEY PIE | 1969 |
4-44869 | B | SKITCH HENDERSON | SISTER GEORGE | 1969 |
4-44870 | A | AORTA | SHAPES OF THINGS TO COME | 1969 |
4-44870 | B | AORTA | ODE TO MISSY MTFZSPKIK | 1969 |
4-44871 | A | BLOOD, SWEAT & TEARS | SPINNING WHEEL | 1969 |
4-44871 | B | BLOOD, SWEAT & TEARS | MORE AND MORE | 1969 |
4-44872 | A | RAY CONNIFF AND THE SINGERS | I LOVE HOW YOU LOVE ME | 1969 |
4-44872 | B | RAY CONNIFF AND THE SINGERS | HOLD ME TIGHT | 1969 |
4-44873 | A | THE NEW CHRISTY MINSTRELS | RUN WILD, RUN FREE | 1969 |
4-44873 | B | THE NEW CHRISTY MINSTRELS | HEY JUDE | 1969 |
4-44874 | A | JERRY NAYLOR | POSTERS ON THE WALL | 1969 |
4-44874 | B | JERRY NAYLOR | GOTTA TRAVEL ON | 1969 |
4-44875 | A | MARK LINDSAY | FIRST HYMN FROM GRAND TERRACE | 1969 |
4-44875 | B | MARK LINDSAY | OLD MAN AT THE FAIR | 1969 |
4-44876 | A | PERCY FAITH, HIS ORCHESTRA AND CHORUS | THE FOX | 1969 |
4-44876 | B | PERCY FAITH, HIS ORCHESTRA AND CHORUS | WINDMILLS OF YOUR MIND | 1969 |
4-44877 | A | ? | ||
4-44877 | B | ? | ||
4-44878 | A | WES BUCHANAN | NEVER FORGET | 1969 |
4-44878 | B | WES BUCHANAN | TIME IS ENDLESS | 1969 |
4-44879 | A | ? | ||
4-44879 | B | ? | ||
4-44880 | A | RICK THOMPSON | WE ALL MAKE MISTAKES SOMETIMES | 1969 |
4-44880 | B | RICK THOMPSON | WHAT DO I HAVE TO DO | 1969 |
4-44881 | A | FLAVOR | COMING ON HOME | 1969 |
4-44881 | B | FLAVOR | DANCING IN THE STREET | 1969 |
4-44882 | A | THE ED SULLIVAN CHORUS AND ORCHESTRA | '1776' (THE LEES OF OLD VIRGINIA) | 1969 |
4-44882 | B | THE ED SULLIVAN CHORUS AND ORCHESTRA | HARMONY JONES | 1969 |
4-44883 | A | CARL PERKINS | FOR YOUR LOVE | 1969 |
4-44883 | B | CARL PERKINS | FOUR LETTER WORD | 1969 |
4-44884 | A | JIMMY WALKER | I GOT THE BEST OF YOU | 1969 |
4-44884 | B | JIMMY WALKER | YOUR PAST IS BEGINNING TO SHOW | 1969 |
4-44885 | A | MOBY GRAPE | OOH MAMA OOH | 1969 |
4-44885 | B | MOBY GRAPE | IT'S A BEAUTIFUL DAY TODAY | 1969 |
4-44886 | A | MONGO SANTAMARIA | TWENTY-FIVE MILES | 1969 |
4-44886 | B | MONGO SANTAMARIA | EL TRES | 1969 |
4-44887 | A | NICK NOBLE | I'M SO BUSY BEING BROKEN HEARTED | 1969 |
4-44887 | B | NICK NOBLE | I'M GONNA MAKE YOU LOVE ME | 1969 |
4-44888 | A | MARS BONFIRE | IN CHRISTINA'S ARMS | 1969 |
4-44888 | B | MARS BONFIRE | LADY MOON WALKER | 1969 |
4-44889 | A | ? | ||
4-44889 | B | ? | ||
4-44890 | A | THE CHAMBERS BROTHERS | WAKE UP | 1969 |
4-44890 | B | THE CHAMBERS BROTHERS | EVERYBODY NEEDS SOMEONE | 1969 |
4-44891 | A | JOHN BARRY | MIDNIGHT COWBOY | 1969 |
4-44891 | B | JOHN BARRY | FUN CITY | 1969 |
4-44892 | A | CALIFORNIA | SUGAR KITE | 1969 |
4-44892 | B | CALIFORNIA | A LITTLE BIT OF FAITH | 1969 |
4-44893 | A | NEON | BACK TO BROOKLYN | 1969 |
4-44893 | B | NEON | LONG TALL SALLY | 1969 |
4-44894 | A | JERRY INMAN | TALK | 1969 |
4-44894 | B | JERRY INMAN | SPANISH EYES | 1969 |
4-44895 | A | MARTY ROBBINS | I CAN'T SAY GOODBYE | 1969 |
4-44895 | B | MARTY ROBBINS | HELLO DAILY NEWS | 1969 |
4-44896 | A | JOHN DAVIDSON | CALIFORNIA BLOOD LINES | 1969 |
4-44896 | B | JOHN DAVIDSON | I AM NOW | 1969 |
4-44897 | A | THE DON MEEHAN PROJECT | MONS MEG | 1969 |
4-44897 | B | THE DON MEEHAN PROJECT | MY SILENT SYMPHONY | 1969 |
4-44898 | A | KIM MARTELL | YOU DON'T NEED ME FOR ANYTHING ANYMORE | 1969 |
4-44898 | B | KIM MARTELL | THE LUCKIEST GIRL IN THE WORLD | 1969 |
4-44899 | A | THE STATLER BROTHERS | OH HAPPY DAY | 1969 |
4-44899 | B | THE STATLER BROTHERS | HOW GREAT THOU ART | 1969 |
4-44900 | A | JOHNNY WINTER | I'M YOURS AND I'M HERS | 1969 |
4-44900 | B | JOHNNY WINTER | I'LL DROWN IN MY TEARS | 1969 |
4-44901 | A | DONNA LEE | CHILDREN OF THE SUN | 1969 |
4-44901 | B | DONNA LEE | OMNIBUS | 1969 |
4-44902 | A | BILLY JOE ROYAL | CHERRY HILL PARK | 1969 |
4-44902 | B | BILLY JOE ROYAL | HELPING HAND | 1969 |
4-44903 | A | NINO CANDIDO | ALL THE TIME | 1969 |
4-44903 | B | NINO CANDIDO | AND THEY DANCED | 1969 |
4-44904 | A | SATURDAY'S PHOTOGRAPH | GENTLE LOVING SAN FRANCISCO MAN | 1969 |
4-44904 | B | SATURDAY'S PHOTOGRAPH | SUMMER NEVER GO AWAY | 1969 |
4-44905 | A | SAMMI SMITH | SHADOWS OF YOUR MIND | 1969 |
4-44905 | B | SAMMI SMITH | BROWNSVILLE LUMBERYARD | 1969 |
4-44906 | A | NANCY MARANO | ABERGAVENNY | 1969 |
4-44906 | B | NANCY MARANO | LOVE SONG | 1969 |
4-44907 | A | JOEL GREY | DON'T REMIND ME NOW OF TIME | 1969 |
4-44907 | B | JOEL GREY | 1941 | 1969 |
4-44908 | A | RON MOODY AND THE CENTAURS | IF I DIDN'T HAVE A DIME | 1969 |
4-44908 | B | RON MOODY AND THE CENTAURS | THE NEW BREED | 1969 |
4-44909 | A | CHICAGO | QUESTIONS 67 AND 68 | 1969 |
4-44909 | B | CHICAGO | LISTEN | 1969 |
4-44910 | A | FRANCINE 'PEACHES' BARKER | TRACES | 1969 |
4-44910 | B | FRANCINE 'PEACHES' BARKER | ANGELS IN THE SKY | 1969 |
4-44911 | A | FOURGONE CONCLUSION | DOES YOUR MOTHER KNOW? | 1969 |
4-44911 | B | FOURGONE CONCLUSION | AND I DID LOVE YOU | 1969 |
4-44912 | A | JACKIE THOMPSON | BAD WOMEN, A DIME A DOZEN | 1969 |
4-44912 | B | JACKIE THOMPSON | GAMES PEOPLE PLAY | 1969 |
4-44913 | A | CIRCUS | WHERE ARE YOU AT | 1969 |
4-44913 | B | CIRCUS | READ ALL ABOUT IT | 1969 |
4-44914 | A | JERRY VALE | HE WHO LOVES | 1969 |
4-44914 | B | JERRY VALE | CLOSE TO YOU | 1969 |
4-44915 | A | JOHNNY MATHIS | LOVE THEM FROM 'ROMEO AND JULIET' (A TIME FOR US) | 1969 |
4-44915 | B | JOHNNY MATHIS | THE WORLD I THREW AWAY | 1969 |
4-44916 | A | FREDDY WELLER | THESE ARE NOT MY PEOPLE | 1969 |
4-44916 | B | FREDDY WELLER | YOU NEVER KNEW JULIE | 1969 |
4-44917 | A | THE TYMES | IF YOU LOVE ME BABY | 1969 |
4-44917 | B | THE TYMES | FIND MY WAY | 1969 |
4-44918 | A | ERIC LOMAX | LIVE FAST DIE YOUNG | 1969 |
4-44918 | B | ERIC LOMAX | SEVEN THE LOSER | 1969 |
4-44919 | A | SHIRLEY VAUGHN | SOCIETY | 1969 |
4-44919 | B | SHIRLEY VAUGHN | ESCAPE | 1969 |
4-44920 | A | TIM HARDIN | SIMPLE SONG OF FREEDOM | 1969 |
4-44920 | B | TIM HARDIN | QUESTION OF BIRTH | 1969 |
4-44921 | A | BARBRA STREISAND | LITTLE TIN SOLDIER | 1969 |
4-44921 | B | BARBRA STREISAND | HONEY PIE | 1969 |
4-44922 | A | JACK GOLD ORCHESTRA AND CHORUS | MY FAVORITE SONG | 1969 |
4-44922 | B | JACK GOLD ORCHESTRA AND CHORUS | FOR ONCE IN MY LIFE | 1969 |
4-44923 | A | THE BUCKINGHAMS | IT'S A BEAUTIFUL DAY | 1969 |
4-44923 | B | THE BUCKINGHAMS | DIFFERENCE OF OPINION | 1969 |
4-44924 | A | THE SPIRAL STARECASE | NO ONE FOR ME TO TURN TO | 1969 |
4-44924 | B | THE SPIRAL STARECASE | SWEET LITTLE THING | 1969 |
4-44925 | A | BARBARA FAIRCHILD | WOMAN'S HAND | 1969 |
4-44925 | B | BARBARA FAIRCHILD | GOT A CHANCE AND I TOOK IT | 1969 |
4-44926 | A | BOB DYLAN | LAY LADY LAY | 1969 |
4-44926 | B | BOB DYLAN | PEGGY DAY | 1969 |
4-44927 | A | GARY BONNER | MOTHER'S WAITING | 1969 |
4-44927 | B | GARY BONNER | IT'S SO EASY | 1969 |
4-44928 | A | IT'S A BEAUTIFUL DAY | WHITE BIRD | 1969 |
4-44928 | B | IT'S A BEAUTIFUL DAY | WASTED UNION BLUES | 1969 |
4-44929 | A | ANDY WILLIAMS | LIVE AND LEARN | 1969 |
4-44929 | B | ANDY WILLIAMS | YOU ARE | 1969 |
4-44930 | A | CHAKA | WISHING WELL | 1969 |
4-44930 | B | CHAKA | GOT TO FIND A WAY | 1969 |
4-44931 | A | RAY PRICE | RAINING IN MY HEART | 1969 |
4-44931 | B | RAY PRICE | I KNOW LOVE | 1969 |
4-44932 | A | PERCY FAITH, HIS ORCHESTRA AND CHORUS | THEME FROM 'A SUMMER PLACE' | 1969 |
4-44932 | B | PERCY FAITH, HIS ORCHESTRA AND CHORUS | HELLO TOMORROW | 1969 |
4-44933 | A | RAY CONNIFF & SINGERS | A BANDA | 1969 |
4-44933 | B | RAY CONNIFF & SINGERS | LA FELICIDAD | 1969 |
4-44934 | A | PETER NERO | BE-IN (HARE KRISHNA) | 1969 |
4-44934 | B | PETER NERO | THEME FROM 'PICASSO SUMMER' | 1969 |
4-44935 | A | ROBERT GOULET | ONE LIFE TO LIVE | 1969 |
4-44935 | B | ROBERT GOULET | ONLY YESTERDAY | 1969 |
4-44936 | A | A.M. GATELEY | BATTLE IN THE CITY | 1969 |
4-44936 | B | A.M. GATELEY | HAPPY TO BE THERE | 1969 |
4-44937 | A | NRBQ | C'MON EVERYBODY | 1969 |
4-44937 | B | NRBQ | ROCKET NUMBER 9 | 1969 |
4-44938 | A | LANDY MCNEAL | COUNTING ON YOU BABY | 1969 |
4-44938 | B | LANDY MCNEAL | STAND UP AND BE COUNTED (OBE BY ONE) | 1969 |
4-44939 | A | CARL SMITH | I LOVE YOU BECAUSE | 1969 |
4-44939 | B | CARL SMITH | MISTER COME AND GET YOUR WIFE | 1969 |
4-44940 | A | ED SULLIVAN SINGERS & ORCHESTRA | SULLI-GULLI, PART I | 1969 |
4-44940 | B | ED SULLIVAN SINGERS & ORCHESTRA | SULLI-GULLI, PART II | 1969 |
4-44941 | A | THE CLAYTONS | FOR WHAT IT'S WORTH | 1969 |
4-44941 | B | THE CLAYTONS | FOURTH STREET | 1969 |
4-44942 | A | TONY KOSINEC | YOU GOT ME CRAZY | 1969 |
4-44942 | B | TONY KOSINEC | PROCESSES | 1969 |
4-44943 | A | RAY CORBIN | THE WILD ONE | 1969 |
4-44943 | B | RAY CORBIN | I'M LETTING YOU GO | 1969 |
4-44944 | A | JOHNNY CASH | A BOY NAMED SUE | 1969 |
4-44944 | B | JOHNNY CASH | SAN QUENTIN | 1969 |
4-44945 | A | DONALD WILSON | POOR MAN | 1969 |
4-44945 | B | DONALD WILSON | LEAN ON ME | 1969 |
4-44946 | A | JUNE STEARNS | A PIECE AT A TIME | 1969 |
4-44946 | B | JUNE STEARNS | SOME OF THESE DAYS | 1969 |
4-44947 | A | TONY BENNETT | I'VE GOTTA BE ME | 1969 |
4-44947 | B | TONY BENNETT | A LONELY PLACE | 1969 |
4-44948 | A | O.C. SMITH | IF I LEAVE YOU NOW | 1969 |
4-44948 | B | O.C. SMITH | DADDY'S LITTLE MAN | 1969 |
4-44949 | A | ? | ||
4-44949 | B | ? | ||
4-44950 | A | ROBERT JOHN | CHILDREN IN THE MAKING | 1969 |
4-44950 | B | ROBERT JOHN | WHO COULD EVER BELIEVE IT | 1969 |
4-44951 | A | ARETHA FRANKLIN | TODAY I SING THE BLUES | 1969 |
4-44951 | B | ARETHA FRANKLIN | PEOPLE | 1969 |
4-44952 | A | ? | ||
4-44952 | B | ? | ||
4-44953 | A | MAN | GIRL OF THE NORTH COUNTRY | 1969 |
4-44953 | B | MAN | RIVERHEAD JAIL | 1969 |
4-44954 | A | SWEET LINDA DEVINE | GOOD DAY SUNSHINE | 1969 |
4-44954 | B | SWEET LINDA DEVINE | SAME TIME SAME PLACE | 1969 |
4-44955 | A | BARBARA MANDRELL | I'VE BEEN LOVING YOU TOO LONG (TO STOP NOW) | 1969 |
4-44955 | B | BARBARA MANDRELL | BABY, COME HOME | 1969 |
4-44956 | A | “8” | THE KING'S BIRTHDAY PARTY | 1969 |
4-44956 | B | “8” | WURFELSTEIN CONCERTO #2 | 1969 |
4-44957 | A | JOE LEE WILSON | TAKE A BIG HUNK OF MY LOVE | 1969 |
4-44957 | B | JOE LEE WILSON | HE AIN'T HEAVY, HE'S MY BROTHER | 1969 |
4-44958 | A | BOB DILEO | SING TO ME | 1969 |
4-44958 | B | BOB DILEO | MIND EXCURSION | 1969 |
4-44959 | A | THE JIMMY WISNER SOUND | MANHATTAN SAFARI | 1969 |
4-44959 | B | THE JIMMY WISNER SOUND | A QUIET BOY | 1969 |
4-44960 | A | ? | ||
4-44960 | B | ? | ||
4-44961 | A | BILL WENDRY & THE BOSS TWEEDS | LOVE IS A HAPPENING | 1969 |
4-44961 | B | BILL WENDRY & THE BOSS TWEEDS | HEARTACHE LINE | 1969 |
4-44962 | A | KIM MARTELL | THE THOUGHT OF LOVING YOU | 1969 |
4-44962 | B | KIM MARTELL | EV'RYBODY LOVES TO BE A WINNER | 1969 |
4-44963 | A | ? | ||
4-44963 | B | ? | ||
4-44964 | A | ? | ||
4-44964 | B | ? | ||
4-44965 | A | JIM NABORS | IT'S MY LIFE | 1969 |
4-44965 | B | JIM NABORS | YOUNG HEARTS | 1969 |
4-44966 | A | JOHN WESLEY RYLES | EVE MAGDALENA | 1969 |
4-44966 | B | JOHN WESLEY RYLES | MOST BEAUTIFUL THING IN THE WORLD IS A WOMAN | 1969 |
4-44967 | A | GARY PUCKETT AND THE UNION GAP | THIS GIRL IS A WOMAN NOW | 1969 |
4-44967 | B | GARY PUCKETT AND THE UNION GAP | HIS OTHER WOMAN | 1969 |
4-44968 | A | ? | ||
4-44968 | B | ? | ||
4-44969 | A | JERRY VALE | THIS IS MY LIFE (LA VITA) | 1969 |
4-44969 | B | JERRY VALE | WHAT'S WRONG WITH MY WORLD | 1969 |
4-44970 | A | PAUL REVERE AND THE RAIDERS | WE GOTTA ALL GET TOGETHER | 1969 |
4-44970 | B | PAUL REVERE AND THE RAIDERS | FRANKFORT SIDE STREET | 1969 |
4-44971 | A | LORNE GREENE | THE PERFECT WOMAN | 1969 |
4-44971 | B | LORNE GREENE | IT'S ALL IN THE GAME | 1969 |
4-44972 | A | THE EXILES | CHURCH ST. SOUL REVIVAL | 1969 |
4-44972 | B | THE EXILES | JOHN WEATHERMAN | 1969 |
4-44973 | A | NEON | BACK TO BROOKLYN | 1969 |
4-44973 | B | NEON | TEARS IN THE EYES OF A COUNTRY GIRL | 1969 |
4-44974 | A | BURL IVES | MONTEGO BAY | 1969 |
4-44974 | B | BURL IVES | TESSIE'S BAR MYSTERY | 1969 |
4-44975 | A | DINO, DESI AND BILLY | HAWLEY | 1969 |
4-44975 | B | DINO, DESI AND BILLY | LET'S TALK IT OVER | 1969 |
4-44976 | A | STONEWALL JACKSON | SHIP IN THE BATTLE | 1969 |
4-44976 | B | STONEWALL JACKSON | THOUGHTS OF A LONELY MAN | 1969 |
4-44977 | A | JOHN HANDY | LAY LADY LAY | 1969 |
4-44977 | B | JOHN HANDY | SPINNING WHEEL | 1969 |
4-44978 | A | RON DAWSON | SHE CRIED | 1969 |
4-44978 | B | RON DAWSON | STEEL RAIN BLUES | 1969 |
4-44979 | A | POZO SECO SINGERS | WOMAN IN LOVE | 1969 |
4-44979 | B | POZO SECO SINGERS | GOD SAVE THE CHILDREN | 1969 |
4-44980 | A | DON WILLIAMS AND THE POZO SECO SINGERS | MORNING MAMA MEMORIES | 1969 |
4-44980 | B | DON WILLIAMS AND THE POZO SECO SINGERS | PROPER MRS. BROWN | 1969 |
4-44981 | A | JUDY LYNN | GENTLE ON MY MIND | 1969 |
4-44981 | B | JUDY LYNN | AMERICA THE BEAUTIFUL | 1969 |
4-44982 | A | THE CARTER FAMILY | IF I LIVE LONG ENOUGH | 1969 |
4-44982 | B | THE CARTER FAMILY | BREAK MY MIND | 1969 |
4-44983 | A | BILL BLACK'S COMBO | CALIFORNIA DREAMIN' | 1969 |
4-44983 | B | BILL BLACK'S COMBO | FUNKY TRAIN | 1969 |
4-44984 | A | LEFTY FRIZZELL | HONKY TONK BILL | 1969 |
4-44984 | B | LEFTY FRIZZELL | WASTED WAY OF LIFE | 1969 |
4-44985 | A | ? | ||
4-44985 | B | ? | ||
4-44986 | A | THE CHAMBERS BROTHERS | HAVE A LITTLE FAITH | 1969 |
4-44986 | B | THE CHAMBERS BROTHERS | MY BABY TAKES CARE OF BUSINESS | 1969 |
4-44987 | A | PERCY FAITH, HIS ORCHESTRA AND CHORUS | THE APRIL FOOLS | 1969 |
4-44987 | B | PERCY FAITH, HIS ORCHESTRA AND CHORUS | SPINNING WHEEL | 1969 |
4-44988 | A | RAVEN | FEELIN' GOOD | 1969 |
4-44988 | B | RAVEN | GREEN MOUNTAIN DREAM | 1969 |
4-44989 | A | PATTI PAGE | BOY FROM THE COUNTRY | 1969 |
4-44989 | B | PATTI PAGE | YOU DON'T NEED A HEART | 1969 |
4-44990 | A | THE BYRDS | BALLAD OF EASY RIDER | 1969 |
4-44990 | B | THE BYRDS | WASN'T BORN TO FOLLOW | 1969 |
4-44991 | A | TAJ MAHAL | SIX DAYS ON THE ROAD | 1969 |
4-44991 | B | TAJ MAHAL | LIGHT RAIN BLUES | 1969 |
4-44992 | A | JOHNNY DUNCAN & JUNE STEARNS | NOW I LAY ME DOWN TO DREAM | 1969 |
4-44992 | B | JOHNNY DUNCAN & JUNE STEARNS | WE'LL GET MARRIED OR NOTHING | 1969 |
4-44993 | A | CARL PERKINS | SOUL BEAT | 1969 |
4-44993 | B | CARL PERKINS | C.C. RIDER | 1969 |
4-44994 | A | ? | ||
4-44994 | B | ? | ||
4-44995 | A | DAVID FRIZZELL | LITTLE TOY TRAINS | 1969 |
4-44995 | B | DAVID FRIZZELL | MARLEY PURT DRIVE | 1969 |
4-44996 | A | THE FOUR ESQUIRES | MY HEART BELONGS TO ONLY YOU | 1969 |
4-44996 | B | THE FOUR ESQUIRES | MOMMA LOOK SHARP | 1969 |
4-44997 | A | ROB GALBRAITH | WILLIE WAS A HONKIE | 1969 |
4-44997 | B | ROB GALBRAITH | MAGGIE MCGHEE | 1969 |
4-44998 | A | MONGO SANTAMARIA | WE GOT LATIN SOUL | 1969 |
4-44998 | B | MONGO SANTAMARIA | GETTING IT OUT OF MY SYSTEM | 1969 |
4-44999 | A | CARL AND PEARL BUTLER | IF TEARDROPS WERE PENNIES | 1969 |
4-44999 | B | CARL AND PEARL BUTLER | SUNDOWN IN NASHVILLE | 1969 |
Columbia single 4-44658 was the second release from the album "Big Hits from 'Chitty Chitty Bang Bang'" by the New Christy Minstrels and Arthur Treacher, with Treacher appearing on only four tracks. Both sides of this particular release promoted tracks with Treacher -- "Chu-Chi Face" (the A side) and "You Two" (the B side.) This information came directly from Columbia (before it became Sony.) I have never been able to find a copy of this release, and I suspect only a limited number of (white label/red type) promo copies were pressed for radio play, i.e., no red label release for the consumer market.
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